“I opened with Edward Kienholz's The Beanery, and that's such a controversial piece that I think that brought people right away. It was a room-size work that one walked into. It was a bar with Kienholz-type figures sitting and drinking and talking - all life-size characters in a life-size setting. The exhibition was covered in Time, Newsweek, and Life, so it had huge recognition right away.” PeopleThinkingCharacterDrinkingRecognitionControversial Author:Virginia Dwan
“I think the four land artists I showed all worked within a few years of each other. And they were standard bearers, I suppose, for land art. They each did very separate things. Apparently, later in California, a lot of artists started working in that medium and there was something of a rush of earthworks. But I wasn't involved with that.” ThinkingArtArtist Author:Virginia Dwan
“Art wasn't for selling. Actually, we once did have an offer on Double Negative. Things could be sold actually - everything could be for sale. But we had very few buyers. I think it was Michael Heizer who said that the point was to have a bigger canvas, and I've used that expression quite a bit. But I was thinking today that a canvas has boundaries; it has limit to it. And for earthwork, it was the very openness and feeling that there were no boundaries that made it so exciting.” ThinkingArtFeelingsTodayNegativeExcitingBoundariesSellingOpennessCanvasNo Boundaries Author:Virginia Dwan
“I think Michael Heizer and Walter De Maria had a love-hate relationship because they both had a lot in common. But inevitably one would get more publicity than another. Of course, Robert Smithson's gotten so much attention through the years. One of the reasons is not only that his work is quite wonderful, but the fact that he was a writer himself.” ThinkingReasonCommonAttentionWonderful Author:Virginia Dwan
“I think that Walter De Maria's Lightning Field, Michael Heizer's City, and Charles Ross's work in Star Axis New Mexico , all three will last for a millennium.” Thinking Author:Virginia Dwan
“I remember very vividly. I was here in New York. Nancy Holt called me and - I feel unhappy thinking about it - she said that Bob Smithson had died. I said, "Oh, Nancy, what will we do without Bob?" He was a very good friend.” ThinkingRememberVery GoodUnhappyGood Friend Author:Virginia Dwan