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Quote by Jonathan W. Galassi

“Poetry is always in transformation. There are certain aspects of contemporary Italian poetry that are very preoccupied with politics and deconstruction and they don't deeply interest me. But that's the case in most cultures. We have our own Language Poetry, which doesn't interest me either.”

Quote by Jonathan W. Galassi

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Jonathan W. Galassi

Jonathan W. Galassi (born 1949) is a renowned American editor and publisher who served as President and Publisher of Alfred A. Knopf, one of America's most prestigious literary publishers. With over four decades in publishing, Galassi is celebrated for his keen literary insight and dedication to fostering exceptional writers. more

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“Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.”

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Author:Jonathan W. Galassi
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“I love to publish new writers, and we do so consistently. But a lot of contemporary American poets sound alike to me. They want to bring spoken, prosy language into poetry and I understand that desire. But they don't edit. It's not very curated work. It seems very lackluster, very uncareful. It may be the un-carefulness is also something they intend but there's a kind of "So what?" quality to a lot of it.”

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Author:Jonathan W. Galassi
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“If you're reading an exciting book, it raises an expectation but it also raises a fear that the author is not going to deliver, that the expectation is not going to be met, you're going to be disappointed by a wrong turn. But when the thing is completed, the exhilaration and gratitude are deeply intense. You've gotten to read a great thing at its moment of emergence.”

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Author:Jonathan W. Galassi
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“We need prizes as publishers... to focus attention on books, for people to know what to go look for. But often in my opinion and in probably everyone's opinion, the right books don't get chosen. Still we need books to be chosen even if they are not exactly the right ones, otherwise many people won't know what to read. As a publisher, I feel prizes are important for the publishing business. But as a writer, I think, writers shouldn't get too distracted by prizes because very often they don't go to the right person. You shouldn't take it too seriously if you haven't won a prize.”

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Author:Jonathan W. Galassi
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“There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.”

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Author:Jonathan W. Galassi
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“Liberals in the US don't have great passions about Margaret Thatcher. Conservatives do. For all the worship that Ronald Reagan elicits in conservative circles in the US, I would venture that Thatcher did far more to reshape British society than Reagan did here. When I moved to Britain, the utilities were state-run. By the time I left, most of that was privatized. Thatcher had broken the miners' union, all but crushed the Labour Party, cut back the welfare state, even flirted with a poll tax. In the circles I ran in, Reagan was mocked as a childish dolt. Thatcher was despised.”

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Author:Jon Weisman
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“I suddenly thought about being backstage, and I think it shocks you to meet the people you shared your bedrooms with. And a lot of them either take themselves too seriously or don't know how to take themselves at all. But I wanted to be aware in a very sarcastic way that every song I've written has probably been written about 12-16 times before. And doing that makes it very hard for me to accept serious singer-songwriters in the world, the up-and-comers, the ones who are out there who let that define their every move, who live and die and breathe for it. It's a bit of a tragedy, I think.”

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Author:Kevin Drew
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