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Quote by Widad Akreyi

“Hope becomes an option only when we get involved. Empathy must influence the nature of our interactions. And we must remember that compassion is contagious. The more we spread it, the more the people around us are gonna feel it and cherish it. And the more we see it elsewhere, the more it becomes attainable where we are.”

Quote by Widad Akreyi

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Widad Akreyi

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“Therapy must begin with empathy - not a patronizing sympathy, but instead one that is unflinching (Marotta, 2003). Empathy of this sort is highly attuned to the client, no matter the circumstance. The therapist strives to "travel in the client's shoes" or to "view the world from the client's perspective" in order to really understand his or her emotions, cognitions, and beliefs - in short, to understand from the perspective of the other (Wilson & Thomas, 2004). Treatment involves understanding that a client's defeatist and apparently helpless, disempowered, or "masochistic" perspectives can be a logical outgrowth of formative traumatic experiences and, further, may be highly creative means of self-protection. The therapist must not attempt to undo or "make up for" past abandonment or betrayals by their client's caregivers or in their close relationships, but instead first understand the client's perspective and approach to the world, while working to provide alternative perspectives on both past and present that promote change.”

“He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist. “This is mine,” he whispers aggressively. “All mine. Do you understand?” He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning. “Yes, yours…” Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he’s lying on top of me. “Hands on your head,” he commands through gritted teeth as he kneels up, forcing my legs wider… “We don’t have long. This will be quick, and it’s for me, not you. Do you understand? Don’t come, or I will spank you,” he says through clenched teeth.”

“A good actor,' said Sunay in a light theatrical tone, 'is a man who represents the sediment, the unexplored and unexplained powers that have drifted down the centuries. He takes the lessons he has gleaned and hides them deep inside himself. His self-mastery is awesome; never does he bare his heart; no one may know how powerful he is until he enters on to the stage. All his life, he travels down unfamiliar roads, to perform at the most out-of-the-way theatres in the most godforsaken town, and everywhere he goes, he searches for a voice that will grant him genuine freedom. If he is so fortunate as to find that voice, he must embrace it fearlessly and follow it to the end.”