Quotessence
Home / Quotes / Quote by Charles Buxton

Quote by Charles Buxton

“In one family, all goes by two and two. If a member of it has any interest, he or she will confide it to some one other; but the rest know nothing. In another family, all feel what touches one; nothing is kept dark from the father and mother, brothers and sisters--all share. This family habit is by far the better, it strengthens the tie between the members, and makes the home one home.”

Quote by Charles Buxton

Work

Notes of Thought

This book is a compilation of thoughtful essays and insights, exploring a wide range of intellectual and existential themes. more

Author

Charles Buxton

Charles Buxton, born on November 18, 1823, was a prominent British writer. His works covered a wide range of subjects including history, philosophy, and society, leaving a profound impact on posterity. more

You May Also Like

“Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature when the divine has been poured away. Leonardo was less concerned than his Gothic predecessors with the ethereal parts of our nature, and so his caricatures, in their expression of passionate energy, merge imperceptibly into the heroic.”

“The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshiped for their life-giving beauty rather than their death-dealing powers.”

“Antique art has come down to us in a fragmentary condition, and we have virtuously adapted our taste to this necessity. Almost all our favorite specimens of Greek sculpture, from the sixth century onward, were originally parts of compositions, and if we were faced with the complete group in which the Charioteer of Delphi was once a subsidiary figure, we might well experience a moment of revulsion. We have come to think of the fragment as more vivid, more concentrated, and more authentic.”