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Bhawna Bharwani

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“We are now face to face with the truly Ultimate Ambiguity which is the human spirit. This is the most fascinating ambiguity of all: that as each of us grows up, the mark of our maturity is that we accept our mortality; and yet we persist in our search for immortality. We may believe it's all transient, even that it's all over; yet we believe a future. We believe. We emerge from a cinema after three hours of the most abject degeneracy in a film such as ''La Dolce Vita,'' and we emerge on wings, from the sheer creativity of it; we can fly on, to a future. And the same is true after witnessing the hopelessness of ''Godot'' in the theater, or after the aggressive violence of ''The Rite of Spring'' in the concert hall. Or even after listening to the bittersweet young cynicism of an album called ''Revolver,'' we have wings to fly on.”

“In the most unlikely moments, I would catch glimpses of the person I used to be: the child who shrieked with delight as her dress swirled about her like a balloon, the girl who used to see the glass as half full, the young woman who used to laugh at the absurdity of life. All of those previous versions of myself had existed, yet I couldn’t have imagined what the future versions would be like.”