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Quote by Marc-Andre Hamelin

“There's a substantial portion of my recorded repertoire that was learned for the recording sessions, and then basically forgotten. I wouldn't say it's the majority, but it's a fairly good chunk of it.”

Quote by Marc-Andre Hamelin

Author

Marc-Andre Hamelin

Marc-Andre Hamelin is a renowned pianist known for his exceptional playing skills and profound understanding of music. Born on September 5, 1961, he has demonstrated extraordinary musical talent from a young age. Hamelin's playing style is unique, blending classical and modern elements, and has won the hearts of audiences worldwide. more

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“I don't record for my own glory.I mean, of course part of it is for career advancement, but more importantly, I want some of that repertoire - as much of it as possible - to remain and enter pianists' consciousness and, hopefully, into the standard repertoire.”

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Author:Marc-Andre Hamelin

“Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.”

“A mission that comes from the heart to promote these things and to encourage composers to write, then of course they should do it. And there are more than a few pianists these days who do this, fortunately.”

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Author:Marc-Andre Hamelin

“I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.”

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Author:Marc-Andre Hamelin

“I think one of the reasons [Nikolai] Medtner hasn't had a chance is that his music needs very, very committed performances. If you play his works passively, the juice of his music is really not going to be extracted - it's simply not going to come out.”

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Author:Marc-Andre Hamelin

“From [Nikolai] Medtner himself, who I do not think was the best possible advocate of his own works. But that's my opinion: I find him a little uninteresting and cold, sometimes. Also, at first, the thematic material is not of a kind that makes the greatest appeal, but if you keep with Medtner, I think he will take hold of you, and you're very likely to become a fan.”

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Author:Marc-Andre Hamelin

“I'm particularly keen on promoting this [Nikolai] Medtner piece, Night Wind, because I feel it is a fantastic work that hasn't been given its due yet. Admittedly, it's difficult for both the performer and the listener. The work is quite dense, comparatively long, as these things go, and demands rather active listening. But it's gripping, and I believe it should be heard much more than it has been.”

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Author:Marc-Andre Hamelin

“As far as the style, I can't say there is one definite style. I probably feel most comfortable writing in a tonal idiom, with considerable, if not extreme chromaticism.”

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Author:Marc-Andre Hamelin

“The process of putting intangible thoughts into an imperfect system of notation - which is difficult enough, depending on your ideas - acquaints you with how best to express your ideas so that it is as clear as possible to the performer.”

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Author:Marc-Andre Hamelin

“Every composer understands and uses the system of notation differently, and that's what makes you appreciate the trouble they go through in doing so.”

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Author:Marc-Andre Hamelin