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Quote by Ruth Ozeki

Work

My Year of Meats

In this satirical novel, the protagonist navigates the complex world of the food industry, examining its influence on culture and consumer behavior. more

Author

Ruth Ozeki
Ruth Ozeki

Ruth Ozeki (born March 12, 1956) is an American novelist, filmmaker, and Zen Buddhist priest. Known for works including My Year of Meats (1998), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021), her novels blend Japanese cultural elements with contemporary American themes. A Tale for the Time Being was nominated for the Man Booker Prize. She combines her practice of Zen Buddhism with her literary and film work. more

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“She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.”

“It was the last time she’d see the river from that window. The last time of anything has the poignancy of death itself. This that I see now, she thought, to see no more this way. Oh, the last time how clearly you see everything; as though a magnifying light had been turned on it. And you grieve because you hadn’t held it tighter when you had it every day.”

“The trouble with fighting for human freedom is that one spends most of one's time defending scoundrels. For it is against scoundrels that oppressive laws are first aimed, and oppression must be stopped at the beginning if it is to be stopped at all.”