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Quote by Sasa Stanisic

“The reason for writing that essay was less a personal agenda than an attempt to explain my unease with the general label of "immigrant literature" after I had read quite a number of reviews (in different countries) involving books written by 'immigrants.'”

Quote by Sasa Stanisic

Author

Sasa Stanisic
Sasa Stanisic

Sasa Stanisic is a Serbian-German writer born on March 7, 1978. His works often explore identity, memory, and European history, particularly focusing on the conflicts and changes in the former Yugoslav region. more

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“Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.”

“For example, an author whose parents fled a war but he himself was born in the country where they fled to, and that is where he went to school and college before he wrote his first book of poetry in the language of this country - he should be labeled as: "Author whose parents fled a war but he himself was born in the country where they fled to, and that is where he went to school and college before he wrote his first book of poetry in the language of this country."”

“I also did a great amount of writing while doing research. It gave me the opportunity to meet and talk to people other than family, but also to explore my own memory deeper by comparing it to the memories of others who were in my home town during, for example, the political transition from socialism to a nationalistic "democracy" or during the bombings.”

“It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.”