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Quote by Sarah Addison Allen

“She had drawn intricate patterns around the edges of the paper. Heart-shaped petals formed into flowers, and paisley curlicues formed into leaves, all of which connected to look like lace. It was similar to the designs he'd seen decorating Charlotte's skin over the years. He opened the box and lifted out a glass ball. He held it up and saw tiny glass threads inside that reminded him of strings of batter falling from a spoon.”

Quote by Sarah Addison Allen

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Other Birds

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Sarah Addison Allen
Sarah Addison Allen

Sarah Addison Allen is an American author born in 1971. Her works are known for their fantasy and romance elements, which have won the hearts of readers. more

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“The sudden quiet made Charlotte's bedroom feel as if it had been plunged underwater. Even the small glass ball ornaments she'd hung by fishing wire from the ceiling gave the impression of air bubbles floating to the water's surface. It was folklore Charlotte had grown up hearing, how these glass spheres called witch balls had been used for centuries to protect homes against ghosts and evil spirits. Her artistic mother used to replicate them out of grapevines, the only thing she had to work with. She would tell customers about their mystical properties at the roadside stand where the camp sold maple syrup and the meager amount of vegetables they managed to grow. Charlotte now collected them, and the symbolism wasn't lost on her. She was trying to protect herself from the ghosts of her past.”

“The small town of Kasane stands on the high veld plains of the northern horn of Botswana, a tourist haven shouldering the economy of the small but rich country. The town is located some one thousand kilometers north-east of the Capital City, Gaborone, with its hard blue skies and river-clear air, Kasane is a piece of paradise in this desert region; a shit-hole for the natives apparently as I was to learn, but still the place is a slice of heaven for tourists coming from outside. At the center of the small town resides an underrated true wonder of nature. A place called Plateau from which one can observe a pack of lions stalking a herd of Zebras; wildebeests crowded together like bees; a fish eagle splashing against the slow moving river and come out bearing a fighting catfish; herds of elephants and Buffaloes grazing and browsing the green mass of flora that escorts what seems like a coiling dark green phantom. The entire place below Plateau to the north is a wide array of interconnected channels, caressed on the sides by tall evergreen grass. The true wonder that is the exemplar of the Chobe District. The gravel to the height of ‘Plateau’ snakes through tall, fat baobab trees rising and falling, offering breathtaking views of the dense ridges, then dipping into creeks filled with clusters of dilapidated shacks and mobile homes with junk cars and abandoned road construction machinery scattered about. It clings to more defined creeks with shallow rapids and water clear enough to drink.”

“Because of the heat and the lack of water and materials for shelter, much of the Central Kalahari has remained unexplored and unsettled. From our camp there was no village around the corner or down the road. There was no road. We had to haul our water a hundred miles through the bushveld, and without a cabin, electricity, a radio, a television, a hospital, a grocery store, or any sign of other humans and their artifacts for months at a time, we were totally cut off from the outside world.”

“Expressions to designate homosexuality exist in some fifty (Sub-Saharan) African languages - gor-jigeen in Wolof, ngochani in Shona, Hasini in Nandi, 'yan daudu in Hausa, mashoga ("passive" homosexual), mabasha ("virile" partner) in Kiswahili. [They refer] to ancestral practices in "traditional", that is pre-industrial, societies [...].”