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Designs Quotes

Browse 22 quotes about Designs.

Designs Quotes

“Large Squares, 1965 -Last Beetle The body is much the same as the previous model, aside from increase in window size all round. Door handles and lock mechanisms also changed as well as seat and dashboard designs. Chrome beading became thinner, mounting holes for these also smaller. Chrome was later replaced by black anodizing or plastic to try and modernize the Bug. Tail light clusters changed from the oval shape to the ‘headstone’ and then the ‘elephant’s foot’ jumbo units the bug saw its last days with. In 1965 new larger windows all round. 1966 saw the last 6v bug, and also the first 1300cc motor. Those horrible little air vents behind the rear side windows came out in 1971 that caused lots of rusty bugs. Sloping headlights looked much nicer but went out in 1967.”

LightWindowHolesHorribleSquaresReplacedBugsMotorTheDaysTryToLittleAndAllInForClustersWithWindowsLargeAsHeadlightsLaterLock1967ChromeSideFootDesignsAlsoBugSeatSmallerCausedThinnerLookedRoundBeetleLotsBeadingElephant SPrevious Model
Book:Bugspray
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“Oval Window, 1953 - 1957 In 1953 came the first major changes in Beetle styling. Rear view was increasingly a problem and so the boys in Wolfsburg cut out the centre post and made the split into an oval. Some callous butchers are known to have manually cut the center post of the split rear window out either to improve rear visibility or to make their cars look newer! This window stayed in vogue until 1958 with the first small square rear window model. Note that the rear bonnet was the same as the Split, except for minor changes such as handle and ‘popes nose’ designs. Taillights are larger and also oval shaped. Outer lens is GLASS, not plastic and has a distinctive honeycomb pattern. These Bugs also came with pop-up (semaphore) indicators in the b-pillars.”

KnownWindowCentreBugsChangesDistinctiveToACarsIndicatorsInImproveSameOvalWithAreModelGlassThisTheirPatternAsPostCutIntoSplitNoteDesignsSuchTheseOuterBeetleShaped1957StylingTaillights1958B PillarsIncereasinglyNewerSemaphoreWolfsburg
Book:Bugspray
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“If automating everything makes people lazier and lazier, and laziness leads to stupidity, which it does for most people, judging by the current content circulating the social networks everywhere, except North Korea, where they don’t have any internet to speak of - at some point the Japanese robots, for which a market niche is currently being developed, with no concerns on how they should be designed to act in society or outside it - will have no choice, but to take everything over, to preserve us from ourselves…”

SocialMilitaryStupidDesignDevelopmentInternetFutureCreatingConcernStupidityLoyaltyCirclesDevelopingLazyJapanWarningEngineeringLazinessPredictionsPreservationRobotsNetworkingNothingNorth KoreaEverythingTwitterCirculationSelf PreservationDronesJapanesePredictingDevelopNetworkCircleAutomationPredictionWarningsMakingDevelopedCyborgsDesignedNetworksConcernsDesignsAutomaticProducingMoronismAutomating
Book:Nothing is here...
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“The culture's reverence for nature accentuates Kyoto's innate beauty. Designs on fabric, pottery, lacquer, and folding screens depict swirling water, budding branches, and birds in flight. Delicate woodcuts and scrolls celebrate the moonlight, rain, and snow. Elegant restaurant dishes arrive with edible garnishes of seasonal flora.”

BeautyInnateKyotoDesigns
Book:Untangling My Chopsticks: A Culinary Sojourn in Kyoto
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“The graceful lines of pearl on the bodice transported her to her father’s study, to the newspaper photo of the Brooklyn Bridge. Today, tonight, she was crossing a bridge into another sense of self, an unknown, unexplored woman, a woman incognito, even to herself. And holding those lines of strength was the dove, Analee’s handiwork, the strength of peace holding everything, there on the gown, there at her heart, again on her face, beneath her eyes, allowing her a new vision, though she herself would not be seen. Constance fingered the smooth finish of the silk, this fine fabric given to her by someone who believed in her, who mentored and cared for her, whoever she was as a woman, without the constraints of convention. She turned the gown and gazed at its train, centered with the Gothic arch of the bridge, now converted into a torch of liberty. Everything in this gown spoke of strength and transformation, nothing left behind. There were her children, the girls as shimmering fish swimming freely, even her dead son transformed into light, the light of the bridge into the unknown.”

SymbolicFishBridgeGownDesignsDoves
Book:The Seamstress of New Orleans
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“She had drawn intricate patterns around the edges of the paper. Heart-shaped petals formed into flowers, and paisley curlicues formed into leaves, all of which connected to look like lace. It was similar to the designs he'd seen decorating Charlotte's skin over the years. He opened the box and lifted out a glass ball. He held it up and saw tiny glass threads inside that reminded him of strings of batter falling from a spoon.”

DesignsWitch Balls
Book:Other Birds
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