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Quote by Liz Braswell

“Don't even consider it, young lady." Ariel raised an eyebrow at him incredulously. Young lady? In the years that had passed since the duel with the sea witch, she had aged. Not dramatically, but far more than a mostly immortal mermaid should have. There was something about her eyes- they were deeper, wiser, and wearier than when she was a young mer who had never been on dry land. Her cheeks weren't quite as plump anymore; the angles of her face were more pronounced. Sometimes she wondered if she looked like her mother... aside from her own unreliable memories, the only physical evidence of the former queen was a statue in the castle of her and Triton dancing together. But it was all pale milky marble, no colors at all. Dead. Ariel's hair no longer flowed behind her as it once had; handmaidens and decorator crabs kept it braided and coiffed, snug and businesslike under the great golden crown that sat on her temples, like the gods wore. Small gold and aquamarine earrings sparkled regally but didn't tinkle; they were quite understated and professional. Her only real nod to youth was the golden ring in the upper part of her left ear. "Young lady," indeed.”

Quote by Liz Braswell

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Part of Your World

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Liz Braswell

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“No one has ever been able to stop you from doing anything you wanted anyway- even when it costs you dearly." For a moment, Ariel felt her old self surface, the urge to grin and plant a kiss on the little crab's back. He was right. She did have a habit of swimming in where angels feared to tread. No one could dissuade her once her mind was fixed. And it had cost her dearly. What could it cost her this time?”

“She ran her hand through a shell bowl absently, letting the trinkets slide through her fingers. Mostly they weren't cut or polished the way a human jeweler would treat them: they sparkled here and there out of a chunk of brownish rock. A single crystal might shine like the weapon of a god- but be topped by the lumpy bit where it had been prized out of a geode. Ariel regarded the stones with fascination. Of course they were beautiful. Yet she still found the bits and baubles from the human world, made by humans, far more alluring. Why? Why couldn't she be content with the treasures of the sea the way the ocean had made them? What was wrong with them that they had to be altered, or put on something else, or framed, or forced in a bunch onto a necklace, in perfect, unnatural symmetry?”

“She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)”

“Then she bit into the pie. It was all those tastes she remembered from before. Fatty, doughy flour crust. Cheese. Spices and flavors that spoke of foreign Dry World places. And, she supposed, the overwhelming taste of onion. Green, and not unlike certain seaweeds. But stronger. The baker just watched her as she chewed and enjoyed. Ariel stopped. Didn't people eat the things they paid for? She looked around and saw that no one else was gulping down their treats immediately. There went the old Ariel again. Impulsive.”

“She picked up a roundish thing from the ground and shook the sand off. It was the top of an old ceramic jar, once painted bright blue and gold. The humans had so many jars. And amphorae. And vases. And vessels. And kegs. And tankards. So many... things... to put other... things in. Merfolk rarely had a necessity to store anything beyond the occasional rare and fancy comestible, like the sweet golden-wine they used to trade for when she was a child. Merfolk ate when they were hungry, almost never had the need to drink anything, and rarely had a reason to store food for the future. She dropped the lid and sighed, drifting over to the rock she used to perch on while admiring her collection. Things, so many things. Things she never found out the proper use for in her short time on land. Because she had been too busy mooning over Eric. In some ways, that was the part of the seagull's story that bothered her the most. She could not believe the reaction her traitor heart had when the bird mentioned his name. Eric. Eric remembered something? He wrote an opera about it? About her? It wasn't just the flattery of it, though. If Eric remembered enough to compose music about it... would he remember her, too? A little? She remembered him far too often. Despite the fact that her life had been ruined because of her pursuit of Eric, when she closed her eyes to go to sleep, her last thoughts were often still of him. Or when a perfectly handsome, reasonably amusing (and mostly immortal- not an irrelevant point) merman tried to win her affections, and all she could think about was how his hair might look when it was dry. Would it bounce, like Eric's?”

“Her voice had been such an important part of her life before. The merfolk celebrated her for it. Her father excused her occasionally questionable behavior because of it. Eric loved the girl who rescued him, because of her singing... But... ... she'd never really enjoyed singing for anyone else. In fact, she hated audiences. She sang because she liked to sing. She just... felt... something, and had to sing it. If she were happy, or sad, or angry... she would go off by herself and sing to the coral, sing to the seaweed, sing to an audience of sea snails or tube worms (who listened, but never commented). Most of her mergirlhood had been spent swimming around, exploring, singing to herself. Making up little stories in her head and then putting them into song.”

“ARIEL! You're SINGING!" An explosion of grey and white feathers landed on the beach next to them. As soon as he recovered himself, Scuttle threw his wings around her in a gull-y embrace. "I am," she said, stroking his head. "Oh, it's so good to hear you," Scuttle said with a sigh. "It does my old heart... It's just the best." Ariel smiled. There was something specifically beautiful about what he had said: It's so good to hear you. He didn't say anything about her singing, just that it was good to hear her voice. He was genuinely pleased just that she had her voice back- whatever she chose to do with it. This is a friend.”

“There was also an amazing scent of fresh-baked... something. Baking wasn't a thing under the sea. When Ariel lived at the castle with Eric she had tried breads, cakes, pies, rolls, and sweets, and found them all mystifying (though delicious). They were like nothing she had ever eaten before and sometimes came to her plate still warm, which was also an odd way to eat food. Eric had bought her twelve different kinds of pie at a fancy shop in town and laughed as she had a bite of each, savoring.”

“I started to see that rather than overthinking every decision, I could simply decide to make a decision—any decision. I would learn something whatever happened. Each time I did this it seemed that my ability to tap into my gut increased and my tendency to spend too long analyzing diminished.”