“To do so is condescending to that group, we don't hold them up to the same moral standard to which we hold ourselves, and it is grossly unfair to the women, who are simply being told that because they are tribal women, or whatever, they do not enjoy the same guarantees of liberty that other women do.”
Source: Sex and Social Justice
“When the article, "The Woman of La Raza" came out as a result of the 1969 Chicano Conference, I experienced repercussions because I wrote about The Woman. Instead of being intimidated, I felt it necessary to write a whole book on La Mujer.”
“This Bridge Called My Back intends to reflect an uncompromised definition of feminism by women of color in the U.S.”
Source: This Bridge Called My Back, 40th anniversary edition, Writings by Radical Women of Color
“La resolución del conflicto entre mujeres blancas y negras no dará comienzo hasta que todas las mujeres acepten que un movimiento feminista racista y clasista es una farsa, una tapadera para el sometimiento continuado de las mujeres a los principios patriarcales y la aceptación pasiva del statu quo. La sororidad necesaria para librar la revolución feminista solo se conseguirá cuando todas las mujeres se zafen de la hostilidad, los celos y la competencia mutua que nos ha llevado a ser vulnerables, débiles e incapaces de imaginar nuevas realidades. Esa sororidad no puede forjarse solo con palabras. Es el resultado de un crecimiento y un cambio continuados. Es un objetivo que alcanzar, un proceso de transformación. Y ese proceso empieza por la acción, por el rechazo personal de cada mujer a aceptar ningún conjunto de mitos, estereotipos y falsas suposiciones que niegan los elementos comunes y compartidos de su experiencia humana, que la privan de la capacidad para experimentar la unidad de toda la vida, que le niegan la capacidad para cerrar las brechas creadas por el racismo, el sexismo o el clasismo y que le niegan la capacidad de cambiar. El proceso empieza por la aceptación personal de cada mujer de que a las mujeres estadounidenses, a todas sin excepción, se las socializa para que sean racistas, clasistas y sexistas, en diversos grados, y por entender que calificarnos de feministas no cambia el hecho de que debemos esforzarnos de manera consciente por desembarazarnos del legado de socialización negativa.”
Source: Ain't I a Woman: Black Women and Feminism
“In theology, androcentrism ensures that ruling men will be the norm for language not only about human nature but also about God, sin and redemption, the church, and it's mission.”
Source: She Who Is: The Mystery of God in Feminist Theological Discourse
“I spent years avoiding sex with guys because I didn’t want anyone to gossip about me. I wish I had realized sooner that no matter what I did guys would claim to have fucked me every which way under the sun.”
Source: The Sex Lives of African Women: Self-Discovery, Freedom, and Healing
“She was tired of shuffling around, of living in spaces owned by other people— a landlord would just be another man to whom she was beholden.”
Source: After the Eclipse: A Mother's Murder, a Daughter's Search
“I never loved anyone so much that I thought it would last. In fact, I never felt I could give up my life of freedom to become a man's housekeeper.
(Susan B. Anthony being interviewed by Nellie Bly)”
Source: Sensational: The Hidden History of America’s “Girl Stunt Reporters” – Nellie Bly and the Women Who Changed Journalism Forever
“The problem was the companies that sold shitty sanitary pads. Otherwise reasonable adults who believed tampons stole a girl's virginity. Doctors who didn't bother to solve common problems. Birth control that could kill you. Boys who were told that they couldn't control themselves. A society that couldn't handle the fact that roughly half of all humans will menstruate.”
Source: The Change
“Milicent Patrick’s final resting place is in every single Creature from the Black Lagoon T-shirt, every Metaluna Mutant toy, every VHS tape of Fantasia, every DVD of The Shape of Water.
It’s on the desk of every female animator and in the pen of every woman doodling a monster in the margins of her notebook. It’s always been there. It’s just been hidden, purposely obfuscated.
Now, it’s in every copy of this book, i your hands or on your ears.”
Source: The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick