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Quote by Adrian Matejka

“Bigotry doesn't care about state or regional lines. It's all over the place. But fortunately there are also really excellent human beings all over the place, too. So it's about perception and balance sometimes I think.”

Quote by Adrian Matejka

Author

Adrian Matejka is an American poet born on September 5, 1971. His work is known for exploring issues of race, class, and identity, and has received acclaim from readers and critics alike. more

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“That was one of things that surprised me so much when I was writing the poems. The contrasts between the haves and have-nots is so complicated. It's financial of course, but it's also the lifestyle choices. The more money people have the further away from each other they often want to be. So while I loved not being hungry and having new gear, etc. I missed the sounds of my neighbors and the kind of generosity people who are struggling together often show.”

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Author:Adrian Matejka

“I was fortunate enough to get a job at my alma mater, which brought me back to Indiana after being gone for twenty years. There is no way I would have written these poems had I not come back. They are 100% the product of the circumstances that led me home.”

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Author:Adrian Matejka

“If I can quote myself, I explained whatever it is I'm doing once for No Tell Motel, and I still think it's the clearest I've ever been about this: "I don't write free verse poems - mostly because I can't. But I am interested in the musical effects achievable with free verse."”

Thinking Writing Musical Verses

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“I believe rhythmic sensibility is always a product and extension of language, defined broadly, among other things. But it is an immediate product and extension - no time elapses between the exposure to language and the creation of rhythmic sensibility.”

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“I do try to incorporate particular rhythmic and generally sonic motifs I discover in music as such, and if one thinks of language in a narrow sense, that, perhaps, suggests a possibility for a rhythmic sensibility that enters poetry from outside of language.”

Thinking Trying Language Possibility Sensibility

Author:Shane McCrae

“Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.”

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Author:Shane McCrae

“That's a fairly Wordsworthian way to look at things! But yeah, actually - part of the poet's work, I think, is to maintain or reintroduce the imaginative capacity of their earlier self while nonetheless maturing. And I do think the more successful the poet is at this particular thing, the greater their achievement as a poet.”

Thinking Successful Poet Achievement Mature Imaginative

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“I love to read long books. I enjoy experiencing that extension. But it's not something I feel comfortable with and not something I think I can gain comfort with by practice. It was a real struggle for me while writing memoir to get past three pages or so. In poems, I can write long poems. But length in prose: no.”

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“Confessionalism relates to writers of color. I think confessional poetry is in its way very Catholic, capital C. One of the formative ideas of Confessionalism, beyond psychoanalysis, is a very actual fall from grace. And, at least in America, people of color never occupy that position of grace the way that white people do. So I think that in some very actual ways the confessional mode, strictly speaking, is not possible for non-white writers.”

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“People get anxious about dividing sorts of poetry, say Confessionalism from political poetry. But Confessionalism is very much an expression of racial privilege and of class privilege. I don't think it's always a blind expression of these privileges but it does have its genesis in them, in the politics of them.”

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