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Quote by Roland Barthes

“It is said that mourning, by its gradual labour, slowly erases pain; I could not, I cannot believe this; because for me, Time eliminates the emotion of loss (I do note weep), that is all. For the rest, everything has remained motionless. For what I have lost is not a Figure (the Mother), but a being; and not a being, but a quality (a soul): not the indispensable, but the irreplaceable.”

Quote by Roland Barthes

Author

Roland Barthes (November 12, 1915 – March 25, 1980) was a French philosopher, literary critic, semiotician, and sociologist. He was a leading figure in structuralism and post-structuralism, known for his profound insights into semiotics, cultural criticism, and literary theory. His works, such as Mythologies, S/Z, and The Death of the Author, challenged traditional notions of authorship and meaning, emphasizing the multiplicity of texts and the active role of readers. Barthes' interdisciplinary approach influenced cultural studies, media analysis, and postmodern thought, making him one of the most influential intellectuals of the 20th century. more

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“Henceforth I would have to cosent to combine two voices: the voice of banality (to say what everyone sees and knows) and the voice of singularity (to replenish such banality with all the élan of an emotion which belonged only to myself).”

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Author:Roland Barthes

“For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ("this-has-been"), the photograph suggests that it is already dead.”

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Author:Roland Barthes

“If Jesus had been killed twenty years ago, Catholic school children would be wearing little electric chairs around their necks instead of crosses.”

“The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star.”

Real Body Stars Missing Photograph Rays Radiation Insignificant Duration Touch Me Transmission Delayed

Author:Roland Barthes

“The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).”

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“People aim for the stars, and they end up like goldfish in a bowl. I wonder if it wouldn't be simpler just to teach children right from the start that life is absurd.”

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Book:The Elegance of the Hedgehog

Source: The Elegance of the Hedgehog

“Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.”

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Author:Roland Barthes

“The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.”

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Author:Roland Barthes

“All good research-whether for science or for a book-is a form of obsession.”

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Book:Six Feet Over: Adventures in the Afterlife

Source: Six Feet Over: Adventures in the Afterlife

“Be not ashamed of mistakes and thus make them crimes.”

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Book:The Chinese classics with a translation, critical and exegetical notes: prolegomena and copious indexes

Source: The Chinese classics with a translation, critical and exegetical notes: prolegomena and copious indexes