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Quote by Mark Flood

“I never wished to be a politician, and I despise them. I've also wrestled with it over the years, and I deeply dislike propaganda. And all art that is about propaganda, no matter how wonderful it's cause may be, I think is morally wrong. That's a major theme of my work. I don't want to control how people think; I want to show them how they are controlled by pictures.”

Quote by Mark Flood

Author

Mark Flood

Mark Flood, born on September 29, 1984, is a renowned ice hockey player. He has demonstrated exceptional skills and leadership on the ice, having played for several professional ice hockey teams. more

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“Over the years, I developed an extreme hostility towards the non-profit art organization gulag. I formed the opinion that it's actually a very sophisticated form of government suppression of creativity, particularly in young people. When I see the younger generation dragged into this and being told to write these statements and take these photos, define your work this way or that way, I think it's wrong. I think instead of paying any attention to politics, a great project for young artists is to attack and destroy the non-profits of our world.”

“I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.”

“I think my leap into TV and movies and comics is in a way natural because I'm a visual storyteller. If you look at any one of my short stories or novels, they sort of unscroll cinematically. Every scene is concrete in my mind. I can walk around the room and pick things up. I can describe at length every feature on the character, though I might only supply a glimpse of this on the page. So if I'm writing color into that I'm also writing texture, I'm pushing the image more than anything else.”

“One of the things about landays is that they thrive in a modern context. Early on I went to this incredible Pashtun novelist, Mustafa Salik, who is a bestselling novelist in Afghanistan and works for the BBC in Pashto. With the question of the sanctity of the poems in mind, I asked him, "Aren't you worried? They've been posted on Facebook and such." And he said, "Just the opposite. This is a folk form; they survive and thrive as people share them."”

“If we think about folk forms, they belong to disenfranchised people, people who have not been allowed access to the poetry of literature or the leisure time that comes with the pursuit of poetry. Instead, this is ceremony. This is a highly charged way to create a sacred space that isn't necessarily about God, but is about human experience at its most profound levels - whether that's love or grief, separation, or homeland. All are altered states.”