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Quote by Colleen Hoover

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Reminders of Him

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Colleen Hoover
Colleen Hoover

Colleen Hoover is an American contemporary author known for her emotionally rich novels. Her works often explore themes of love, family, and self-discovery, and have gained a large following among readers. more

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“While the noble man lives in trust and openness with himself (gennaios 'of noble descent' underlines the nuance 'upright' and probably also 'naïve'), the man of ressentiment is neither upright nor naive nor honest and straightforward with himself. His soul squints; his spirit loves hiding places, secret paths and back doors, everything covert entices him as his world, his security, his refreshment; he understands how to keep silent, how not to forget, how to wait, how to be provisionally self-deprecating and humble. A race of such men of ressentiment is bound to become eventually cleverer than any noble race; it will also honor cleverness to a far greater degree: namely, as a condition of existence of the first importance; while with noble men cleverness can easily acquire a subtle flavor of luxury and subtlety—for here it is far less essential than the perfect functioning of the regulating unconscious instincts or even than a certain imprudence, perhaps a bold recklessness whether in the face of danger or of the enemy, or that enthusiastic impulsiveness in anger, love, reverence, gratitude, and revenge by which noble souls have at all times recognized one another. Ressentiment itself, if it should appear in the noble man, consummates and exhausts itself in an immediate reaction, and therefore does not poison: on the other hand, it fails to appear at all on countless occasions on which it inevitably appears in the weak and impotent.”

“Supposing that what is at any rate believed to be the 'truth' really is true, and the meaning of all culture is the reduction of the beast of prey 'man' to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture; which is not to say that the bearers of these instincts themselves represent culture. Rather is the reverse not merely probable—no! today it is palpable! These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind! These 'instruments of culture' are a disgrace to man and rather an accusation and counterargument against 'culture' in general!”

“At this point, one of the elevators went ‘ping!’ so I whipped Carol across my lap, making it look as if I had her in a full embrace. The doors opened … and the elevator was packed …. Nobody got out, nobody got in. As the doors closed, they collectively leaned toward the center so they could get a better view. Carol and I simply cracked up. Suddenly another elevator went ‘ping’; I quickly dipped Carol over my knee again. The doors opened and a lone woman stepped out, glanced at us both, and then hurried on down the hall. By now, we were both weeping with laughter. Carol slid off my knee and crawled behind the sofa to hide. ‘What are you doing?’ I asked. She couldn’t even reply, she was laughing so hard. With a touch of panic, I noticed that the lady who had just passed us had turned around and was now coming back. Leaning over the sofa, she inquired, ‘Excuse me, are you Carol Burnett?’ In a strangled voice Carol said, ‘Yes,” Then raising a hand above the sofa to point at me, she added, ‘And this is my friend, Mary Poppins!”