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Quote by Bernardine Evaristo

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Girl, Woman, Other

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Bernardine Evaristo

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“It's too bad GIFs are silent, because I recorded some original saxophone music to accompany my newest masterpiece. It sounds like ducks quacking on the moon, and if you've got an empty elevator that needs space to be filled, it's now FOR SALE.”

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Book:BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight
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“Dear Rick, I've never thought math was a miracle. The things we study simply are. They were the rules of the universe before we were here to understand them. They operate the world behind the curtain, whether we look behind it or not. The rules are already there. Music is a miracle. It adds something to the world that didn't have to be here. Language is a miracle. Every sentence ever spoken and every song ever sung is a new invention. Not only do they add something new to the world, they transmit thoughts and emotions that would otherwise be locked within one person. I hear a song and feel something a composer felt 200 years ago. I read your letter and hear your voice saying the words. I feel you in the room with me. That's the miracle.”

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Book:Singer Distance
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“The music of a civilization has far-reaching consequences on consciousness and, thus, influences the basic nature of a society. Music and its rhythms divert and compel the awareness, describing the limits within which a consciousness, thus fascinated, may operate. Control the music, then, and you own a powerful tool with which to shape the society. ―The Dosadi Analysis, BuSab Documents”

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Book:The Dosadi Experiment
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“As any painter, writer, or composer knows, artworks arise from the tension between their physical materials and the thought or spirit that shapes them from within. Though they require some outward, physical element, they cease to function as art when they are reduced to their objectlike, artifactual element. This definitive tension underlies art’s varied social uses and explains how it came to be celebrated on the one hand as an expression of the highest spiritual achievements of humanity and, on the other, criticized as merely another precious object—a trapping of wealth, privilege, and social exclusion. Even in the heyday of classical music, there was always a gap between the philosophical claims for music and social practice”

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Book:Who Needs Classical Music?: Cultural Choice and Musical Value
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