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Quote by Jarod Kintz

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Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.

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Jarod Kintz

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“POSSIBILITY There's a possibility There's a possibility All that I had was all I'm gon' get There's a possibility There's a possibility All I gon' get is gon' be yours then All I gon' get is gon' be yours still So tell me when you hear my heart stop You're the only one that knows Tell me when you hear my silence There's a possibility I wouldn't know Know that when you leave Know that when you leave By blood and by me You walk like a thief By blood and by me And I fall when you leave So tell me when you hear my heart stop You're the only one that knows Tell me when you hear my silence There's a possibility I wouldn't know So tell me when my sigh's over You're the reason why I'm closed Tell me when you hear me fallin' There's a possibility it wouldn't show By blood and by me And I'll fall when you leave By blood and by me I follow your lead”

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Author:Likke Li
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“One of the more interesting things you'll notice in the entire history of poetry & poets, art & artists is those useless untalented individuals that call themselves " experts" or " critics" . The sad fact is that throughout that same history people actually were gullible and listened to them and bought their books or paintings. We no longer live in the age where poets were mass- read or rockstars but even now, in the 21st century we unfortunately must still deal with these ridiculous fops who merely give themselves these titles and use this as a tool to destroy or slander, debase or tear apart the works of other more talented poets so that their needy lackluster words will steal the other poets thunder and limelight to make themselves the center of attention. How pathetic is that? Very pathetic indeed. Hence ? We are far smarter than those who once fell for these self centered antics and we have thankfully made these manipulative con artists extinct. POETRY & ART is for EVERYBODY. From different countries, backgrounds and cultures. And the myth of experts or critics has finally been flushed down the toilet where they belong. Their words & voices now meaning what it was in the first place. NOTHING.”

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Book:WHERE THERE IS NO VISION POEMS 2020 R.M. ENGELHARDT
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“There is no inherent value in simply surrounding oneself with great music and art; what matters is the degree of exposure one is prepared to give, accompanied by the going out of the receptive mind, the active encounter with the object. The fetishism of art objects has not helped art’s cause at all. Attributing value to the object rather than the encounter underlies the arrogant dismissal of so many works. “If I don’t get it, it’s no good” is a mind-set that will never understand art because it fails to understand that art requires a humility and patience in the face of the object—and not mere passivity either, but an active opening of our responses.”

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Book:Who Needs Classical Music?: Cultural Choice and Musical Value
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“Contempló a su mejor amigo, moviéndose de aquí a allá con el violín, escondido bajo una expresión austera, agitando de arriba abajo y de atrás para adelante aquel pulcro arco de cerdas de caballo, haciendo vibrar sobre las cuerdas miles de fantasías tonales de autoría propia. Hernán se había transfigurado por completo. Había dejado de ser un niño que jugaba a dar pinceladas musicales. Se había convertido en un hombre que se alzaba y florecía en una repentina explosión de virtud.”

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Book:Melodías Sepultadas
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