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Quote by Mao Zedong

“Maybe you're afraid of sinking. Don't think about it. If you don't think about it, you won't sink. If you do, you will.”

Quote by Mao Zedong

Author

Mao Zedong, born on December 26, 1893, in Xiangtan County, Hunan Province, and died on September 9, 1976. He was one of the founders of the Communist Party of China and served as the Chairman of the People's Republic of China. Mao played a significant role in the history of China's revolution and construction, proposing many theories and practices with profound influence. more

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“We must help all our young people to understand that ours is still a very poor country, that we cannot change this situation radically in a short time, and that only through the united efforts of our younger generation and all our people, working with their own hands, can China be made strong and prosperous within a period of several decades. The establishment of our socialist system has opened the road leading to the ideal society of the future, but to translate this ideal into reality needs hard work.”

“Art never seems to make me peaceful or pure. I always seem to be wrapped in the melodrama of vulgarity. I do not think... of art as a situation of comfort.”

Thinking Art Seems Situation Comfort Pure Peaceful Vulgarity Melodrama

Book:Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute

Source: Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute

“The texture of experience is prior to everything else.”

Author:Willem de Kooning

“When, about fifteen years ago, I walked into Arshile's studio for the first time, the atmosphere was so beautiful that I got a little dizzy and when I came to, I was bright enough to take the hint immediately. If the bookkeepers think it necessary to make sure of where things and people came from, well then, I came from 36 Union Square. I am glad that it is about impossible to get away from his powerful influence.”

“The 'Women' had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light - all this silly talk about line, colour and form - because that was the thing I wanted to get hold of.”

Light Age Wanted Form Certain Lines One Thing Goes On Female Stuck Silly Colour Idols Composition Arrangements

Book:De Kooning: a centennial exhibition

Source: De Kooning: a centennial exhibition

“I feel sometimes an American artist must feel, like a baseball player or something - a member of a team writing American history.”

Feels Writing Sometimes Artist Player Team Members Baseball American History Baseball Player

Book:Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute

Source: Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute

“The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.”

Art Matter Light House Existence Tree Subjects Ought Mountain Paint Philosopher Abstract Towers Abstraction Subject Matter Spotlight

Author:Willem de Kooning

“The point they (Lissitzky, Rodchenko, Tatlin, Gabo, the neo-Plasticists, and so on) all had in common was to be inside and outside at the same time. For me, to be inside and outside is to be in an unheated studio with broken windows in the winter, or taking a nap on somebody's porch in the summer.”

Common Broken Summer Window Winter Studios Naps Porch Inside And Outside Broken Windows

Author:Willem de Kooning

“Man's own form in space - his body - was a private prison; and that it was because of this imprisoning misery - because he was hungry and overworked and went to a horrid place called home late at night in the rain, and his bones ached and his head was heavy.”

Men Home Body Form Night Space Late Rain Prison Misery Heavy Bones Hungry Private Prisons

Author:Willem de Kooning

“And then there is that one-man movement, Marcel Duchamp for me a truly modern movement because it implies that each artist can do what he thinks he ought to a movement for each person and open for everybody.”

Thinking Men Persons Artist Can Do Modern Movement Ought One Man

Book:Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute

Source: Willem de Kooning: Pittsburgh International Series, October 26, 1979-January 6, 1980, Museum of Art, Carnegie Institute