“The trombone and side-drums in the chamber music of Stravinsky will do well enough in a very smart house-party where all the conversation is carried on in an esoteric family slang and the guests are expected to enjoy booby-traps. Very different is the outlook of some of our younger masters such as Hindemith, Jarnach, and others, whose renunciation of beauty was in itself a youthfully romantic gesture, and was accompanied by endless pains in securing adequate performance. The work of masterly performers can indeed alone save the new ideas from being swamped in a universal dullness which no external smartness can long distinguish from that commemorated in the Dunciad.”
Book:The Forms of Music