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Quote by Frank Lloyd Wright

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Modern Architecture: Being the Kahn Lectures for 1930

'Modern Architecture: Being the Kahn Lectures for 1930' is a collection of lectures that delve into the theoretical and practical aspects of modern architectural design as it was understood in the early 20th century. The lectures likely cover topics such as the evolution of architectural styles, the impact of technological advancements, and the philosophical underpinnings of modern architecture. The book serves as a historical document, offering insights into the perspectives and ideas that shaped the field of architecture during that time. more

Author

Frank Lloyd Wright
Frank Lloyd Wright

Frank Lloyd Wright, born on June 8, 1867, and died on April 9, 1959, was a renowned American architect, often hailed as the father of modern architecture. Known for his unique architectural style and design philosophy, Wright emphasized the harmony between nature and architecture, which had a profound impact on the architectural world. more

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“The longer I lived, the more beautiful life became - despite my personal tragedies, the fire, despite my third wife and her dreadful taste. My dear Olgivanna, she insisted on replacing the lovely canvas and wooden trusses at Taliesin West with steel supports and pink frosted glass. Well, I was too old to care by then. What I decided early on was this: If you foolishly ignore beauty, you will soon find yourself without it. Your life will be impoverished. But if you invest in beauty, it will remain with you all the days of your life.”

“The ultimate aim of all artistic activity is building! ... Architects, sculptors, painters, we must all get back to craft! ... The artist is a heightened manifestation of the craftsman. ... Let us form ... a new guild of craftsmen without the class divisions that set out to raise an arrogant barrier between craftsmen and artists! ... Let us together create the new building of the future which will be all in one: architecture and sculpture and painting.”

“Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.”