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Quote by Paul Auster

“I was born just after the end of World War II, and with my friends in our little suburban backyards in New Jersey, we used to play war a lot. I don't know if boys still play war, they probably do, but we were thrusting ourselves into recent history and we were always fighting either the Nazis or the Japanese.”

Quote by Paul Auster

Author

Paul Auster is an American author known for his unique narrative style and philosophical reflections. His works often explore themes of identity, memory, and reality, and have won him a wide audience. more

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“Most of my friends' fathers had been in the war - either as soldiers or in some other capacity in the military. Whereas my father had not fought. He was older and he was in a business that was considered essential to the wartime effort - the wire business - and, of course, I was so young I didn't understand any of this.”

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“Most of the boys would come with bits of equipment that their fathers had given them from their war days - helmets, canteens, binoculars, these kinds of things - that leant a kind of authenticity to the games we were playing. But, of course, my father never gave me anything. So I began to question him. You know, Why don't you have anything from the war? And I think he was...embarrassed to tell me he hadn't fought, because, you know, little boys want to turn their fathers into heroes, and he didn't want to be diminished in my eyes.”

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“A canteen I remember vividly, and maybe one other thing, I can't remember. And I knew then that he had bought them in an army surplus store that day and he wanted to maybe enhance himself in my eyes, and say, "Well, yes, I have been in the army." Or [he] simply just didn't want to disappoint me. It could have been one or the other. But I knew that he had lied to me. And this filled me with a tremendous sort of anger towards him. At the same time, knowing he was trying to please me, so feeling good about him.”

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“When I look back at experience [with my father], all I can do is feel pity. You know, how torn he was about how to act, what to say. And it seems an important story to me.”

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“The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.”

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“Writing is, after all, a gesture towards other people, giving something to others. And so it's not a completely hermetic exercise. It's really an opening up.”

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“In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.”

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“I think there might be some pressure released while I'm doing autobiographical work, but afterwards everything remains the same.”

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“I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time.”

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“My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.”

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