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Quote by Dan Brown

Work

The Lost Symbol

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Author

Dan Brown
Dan Brown

Dan Brown is a renowned American author, known for his suspense novels. His works often revolve around themes such as religion, symbolism, and mysticism. Brown's representative works include 'The Da Vinci Code' and 'Angels & Demons', which have achieved great success worldwide. more

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“The precision of many of the flat surfaces [at Puma Punku] is astonishing. In some cases, they are almost as flat as laser perfection, and the idea that a Bronze Age culture like the Tiwanaku were responsible for this work is clearly impossible. What is also curious is that much of the stone has been partially or fully excavated from the red clay mud of the area, which infers either extreme age, or that a cataclysmic event occurred here, partially burying the site [...]. Further, there are blocks which appear to have been snapped in half - not by the invading Aymara, colonial Spanish, or more recently, but at a time in the distant past. The logic behind this statement is that there are no apparent tool marks or other evidence of attempts to break the stone.”

“The fully qualified Indian marine archaeologists who had dived on the structure in 1993 had not hesitated in their official report to pronounce it to be man-made with 'courses of masonry' plainly visible -- surely a momentous finding 5 kilometers from the shore at a depth of 23 metres? But far from exciting attention, or ruffling any academic feathers, or attracting funds for an extension of the diving survey to the other apparently man-made mounds that had been spotted bear by on the sea-bed -- and very far indeed from inspiring any Tamil expert to re-evaluate the derided possibility of a factual basis to the Kumari Kandam myth -- the NIO's discovery at Poompuhur had simply been ignored by scholarship, not even reacted to or dismissed, but just widely and generally ignored.”

“As we look around the world, especially in Egypt, Lebanon, Turkey, the west coast of Italy, Peru, and Bolivia, there are stone structures and the remains of others which don't easily fit into the standard picture of history. The pyramids of Giza in Egypt, Puma Punku in Bolivia, and the great megalithic wall of Sachsayhuaman in Peru are but three examples of astonishingly well-made stone works which modern engineers, stone masons, and other experts puzzle over. Conventional academics in general date these structures well within the standard timeline of so-called civilization. The generally prescribed creation date of the three pyramids of Giza is about 2500 BC, Puma Punku is alleged to have been constructed around 600 AD, and Sachsayhuaman approximately 1200 to 1400 AD. However, what intrigues engineers, architects, stone masons, and other professionals is the extreme precision of the work, often in very hard stone, which many archaeologists insist was usually achieved using bronze and or copper chisels, wooden measuring devices, and stone hammers.”

“One also finds, even to this day, some amazing works such as the aforementioned Sachsayhuaman and the Coricancha in Cusco, where no mortar of any kind was used. It was stone-on-stone, with astonishing accuracy of fit. In the Inca toolkit, as found in the archaeological record, only copper and bronze chisels have been found, along with wooden measuring instruments and stone pounders or hammers. Conventional archaeologists contend that such tools were responsible for the refined workmanship seen in Cusco and other 'Inca' areas. However, the stone used - granite, andesite, and basalt - are harder than the majority of the tools used, and thus could not have been responsible for the work. The same is true of Tiwanaku and the connected site of Puma Punku. Massive megalithic blocks with sculpted surfaces are found at these locations, made of local sandstone, which would be difficult to shape with bronze chisels and stone hammers. However, the real enigmas are the even harder andesite and basalt stones, cut and shaped with such precision that modern engineers, stone masons, and other professionals question how such work could have been achieved without at least 20th century technology.”