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Quote by Edward Steichen

Work

A Life in Photography

This book offers an in-depth look at the evolution of photography, showcasing the techniques, styles, and stories of a photographer's journey over the years. more

Author

Edward Steichen
Edward Steichen

Edward Steichen was an influential American photographer known for his innovative style and contributions to the art of photography. His work spanned various genres including portrait, landscape, and abstract photography, profoundly impacting 20th-century photographic art. more

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“The precision of hisskill places his work beyond the tentative and the experimental stage. He is continually searching and exploring both himself and his surroundings. and in this exploration of the realm of places, people and things, contrasts and relationships, Callahan is no respecter of conventional technical formula or code. His delicate sense of pattern is an integral part of his photography and not a thing by itself.”

PeopleStagePhotographyPatternsCodeRealmsExplorationFormulasDelicateContrastConventionalExploringSurroundingsPrecision
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“Some day there may be... machinery that needs but to be wound up and sent roaming o'er hill and dale, through fields and meadows, by babbling brooks and shady woods - in short, a machine that will discriminately select its subject and, by means of a skillful arrangement of springs and screws, compose its motif, expose the plate, develop, print, and even mount and frame the result of its excursion, so that there will be nothing for us to do but to send it to the Royal Photographic Society's exhibition and gratefully to receive the 'Royal Medal'.”

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“It's important to understand it's OK to control the subject. If most editorial stories were photographed just as they are, editors would end up throwing most in the waste basket. You have to work hard at making an editorial picture. You need to re-stage things, rearrange things so that they work for the story, with truth and without lying.”

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“My style hasn't changed much in all these sixty years. I still use, most of the time, existing light and try not to push people around. I have to be as much a diplomat as a photographer. People don't often take me seriously because I carry so little equipment and make so little fuss... I never carried a lot of equipment. My motto has always been, "Keep it simple".”

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