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Quote by Leigh Bardugo

“Apparently, Adrik and Harshaw had been evicted for the night. A very bleary Genya and David blinked up at us from beneath the covers of a single narrow cot. Mal gave a little cough. "Can't say I'm surprised.”

Quote by Leigh Bardugo

Work

Ruin and Rising

In this fantasy novel, the protagonist embarks on a perilous quest, encountering various obstacles and allies as they strive to overcome a dark and ominous fate. more

Author

Leigh Bardugo
Leigh Bardugo

Leigh Bardugo is a contemporary American author known for her fantasy novels. Born on April 6, 1975, she graduated from Stanford University with a degree in Comparative Literature. Bardugo's works have received critical acclaim for their complex characters, rich imagination, and profound themes. more

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“They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money.”

“Kollontai stumbles upon the essence of sexual liberation as a form of control; it is “voluntary incarceration.” Because the will is more important than reason to the revolutionary, because in effect will is the essence of reason for both the Marxist and the Nietzschean, the revolutionary is unable to see how he is enslaved by his own will because he is unable to see the role that passion plays in that self-subversion. All the revolutionary can see is his passion, and because his only thought is how to gratify those passions - morals having discredited as “bourgeois” - he is blind to how his passions control him.”

“З чорного чернігівського бору вони вийшли на низький берег Дніпра. Перед ними за Дніпром зʼявилась чарівнича, невимовно чудова панорама Києва. На високих горах скрізь стояли церкви, дзвіниці, неначе свічі палали проти ясного сонця золотими верхами. Саме проти їх стояла лавра, обведена білими високими мурованими стінами та будинками, й лисніла золотими верхами й хрестами, наче букет золотих квіток. Коло лаври ховались у долинах між горами пещери з своїми церквами, між хмарами садків та винограду. А там далі, на північ, на високому шпилі стояла церква Св. Андрея, вирізуючись всіма лініями на синьому небі: коло неї Михайлівське, Софія, Десятинна... Поділ, вганяючись рогом в Дніпро, неначе плавав на синій, прозорій воді з своїми церквами й будинками. Всі гори були ніби зумисне заквітчані зеленими садками й букетами золотоверхих церков. Їх заквітчала давня невмираюча українська історія, неначе рукою якогось великого артиста...”

“In early Soviet times, when Kharkiv was the capital of the Ukranian Soviet Socialist Republic, Moscow's policy of korenizatsiia - 'nativisation' - prompted a brief flourishing of a Ukrainian avant-garde, paywrights and poets and journalists attracted to this bustling city of industrial and trading fame, allowed to write in their own language at last. The policy was the Bolsheviks' attempt to endear this restive republic, and the others, to their rule. In this political environment, writers were elevated. This special treatment came, however, came with the heavy caveat of state control which was followed by repression - a story familiar across the Soviet Union. But in Kharkiv the axe fell quicker. Stalin grew tired of korenizatsiia and opted to wipe out the native intelligentsia instead. In the early 1930s, the party line shifted abruptly; Ukrainian 'bourgeois nationalism' was the new enemy. The purges began. The Soviet Union under Stalin's paranoid control regressed to Tsarist ways. Russification and centralisation, brutal orders issued by Moscow and carried out by its secret police.”