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Quote by Jeanette Winterson

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Lighthousekeeping

Lighthousekeeping is a narrative set in the desolate and tranquil environment of a remote lighthouse. The story delves into the introspective life of the lighthousekeeper, examining the solitude and the slow, unyielding passage of time. The novel is a contemplative exploration of human existence and the impact of isolation on the individual. more

Author

Jeanette Winterson
Jeanette Winterson

Jeanette Winterson is a renowned British author known for her distinctive literary style and profound social commentary. Her works span a wide range of themes, including novels, essays, and poetry. Winterson's novel 'Oranges Are Not the Only Fruit' is a story about growth, faith, and sexuality that has received widespread acclaim. more

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“What should I do about the wild and the tame? The wild heart that wants to be free, and the tame heart that wants to come home. I want to be held. I don't want you to come too close. I want you to scoop me up and bring me home at nights. I don't want to tell you where I am. I want to keep a place among the rocks where no one can find me. I want to be with you.”

“The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him”

“He stepped colser. Looked deep into my eyes. Hesitated a millisecond, and then dove in. "I think I'm falling in love with you." Oh. No. "Cole--" "I know how you feel. About me. About him. I just wanted you to know-we could be good together. We could have a life. Kids. Vacations. On Sunday mornings I could serve you breakfast in bed." He gave me his I-know-you-find-me-irrestible grin. "And then I could make you something to eat.”

“An unchangeable colour rules over the melancholic: his dwelling is a space the colour of mourning. Nothing happens in it. No one intrudes. It is a bare stage where the inert I is assisted by the I suffering from that inertia. The latter wishes to free the former, but all efforts fail, as Theseus would have failed had he been not only himself but also the Minotaur; to kill him then, he would have had to kill himself”