Home / Quotes / Quote by Peter C Bunnell

Quote by Peter C Bunnell

“In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must be a kind of vicarious experience of the subject itself.”

Quote by Peter C Bunnell

Book:Inside the Photograph: Writings on Twentieth-century Photography

Work

Inside the Photograph: Writings on Twentieth-century Photography

Inside the Photograph: Writings on Twentieth-century Photography is a comprehensive compilation that examines the evolution and significance of photography in the 20th century. The book includes analyses of iconic photographs, discussions on the role of photography in social and political movements, and reflections on the technological and aesthetic developments that shaped the field. It serves as a scholarly resource for those interested in the history and impact of photography during this pivotal era. more

Author

Peter C Bunnell

Peter C Bunnell is an accomplished author born in 1937. His works span various genres and are renowned for their profound insights and rich imagination. more

You May Also Like

“The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, with their polished metallic surfaces.”

Way Memories Century Mirrors Photograph Surface Nineteenth Century Polished Metallic

Book:Inside the Photograph: Writings on Twentieth-century Photography

Source: Inside the Photograph: Writings on Twentieth-century Photography

“Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see, and thus insists on the existence of a phantom presence within reality, a world we cannot perceive.”

World Reality Film Black White Interesting Existence Color Perceive Black And White Phantoms Poignancy Monochrome

Book:Inside the Photograph: Writings on Twentieth-century Photography

Source: Inside the Photograph: Writings on Twentieth-century Photography

“Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insinuate, and may even mean the opposite of what they apparently mean.”

May Mean Opposites Photograph Bias Hints Implied Double Meaning

Book:Inside the Photograph: Writings on Twentieth-century Photography

Source: Inside the Photograph: Writings on Twentieth-century Photography

“It seems to be extensively believed by photographers that meanings are to be found in the world much in the way rabbits are found in downs, and all that is required is the talent to spot them and the skill to shoot them... But those moments of truth for which the photographic opportunist waits, finger on the button, are as great a mystification as the notion of autonomous creativity.”

World Way Moments Seems Found Waiting Creativity Talent Skills Fingers Notion Photographer Spots Buttons Rabbits Autonomous Opportunist Moment Of Truth

Book:Situational Aesthetics: Selected Writings by Victor Burgin

Source: Situational Aesthetics: Selected Writings by Victor Burgin

“The wholeness, coherence, identity, which we attribute to the depicted scene [in a photograph] is a projection, a refusal of an impoverished reality in favour of an imagined plenitude.”

Reality Identity Scene Photograph Attributes Wholeness Favour Projection Refusal Coherence Plenitude

Author:Victor Burgin

“Our conviction that we are free to choose what we make of a photograph hides the complicity to which we are recruited in the very act of looking.”

Photograph Conviction Complicity

Book:Thinking photography

Source: Thinking photography

“A job the artist does which no-one else does is to dismantle existing communication codes and to combine some of their elements into structures which can be used to generate new pictures of the world.”

World Doe Jobs Used Artist Communication Elements Structure Code

Author:Victor Burgin

“The only pertinent political question in relation to an identity [or its photograph] is not Is it really coherent? but What does it actually achieve?”

Doe Political Achieve Identity Relation Photograph Pertinent

Author:Victor Burgin

“Even the uncaptioned art photograph is invaded by language in the very moment it is looked at: in memory, in association, snatches of words and images continually intermingle and exchange one for the other.”

Art Moments Language Memories Photograph Association

Author:Victor Burgin

“What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.”

Intensity Documents

Author:Rene Burri