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Quote by Margaret Atwood

Work

The Penelopiad

In this novel, the author reimagines the story of Penelope, the wife of Odysseus, from the viewpoints of the women who served her during her husband's long journey. The narrative explores themes of power, loyalty, and the role of women in ancient Greek society. more

Author

Margaret Atwood
Margaret Atwood

Margaret Atwood is a renowned Canadian poet, novelist, playwright, and critic, born on November 18, 1939. Her works are known for their unique style and profound insights into social issues, with notable titles including 'The Handmaid's Tale' and 'Cat's Eye'. more

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“And of the sixth day yet remained There wanted yet the master work, the end Of all yet done: a creature who not prone And brute as other creatures but endued With sanctity of reason might erect His stature and, upright with front serene, Govern the rest, self-knowing, and from thence Magnanimous to correspond with Heaven, But grateful to acknowledge whence his good Descends, thither with heart and voice and eyes Directed in devotion to adore And worship God supreme who made him chief Of all His works.”

“So long as we trace the development from its final outcome backwards, the chain of events appears continuous, and we feel we have gained an insight which is completely satisfactory or even exhaustive. But if we proceed in the reverse way, if we start from the premises inferred from the analysis and try to follow these up to the final results, then we no longer get the impression of an inevitable sequence of events which could not have otherwise been determined.”

“Tragedy springs from its own peculiar sorcery, with treachery, born of envy or ambition, a usual instigator. Treachery is apparent only after the events staged are well over, as we know, its victims dead, or living and smarting under its tricks, realizing too late how they have been misused: if indeed they are ever cognizant of its role, if still players, to this wonder and rue. Most unacceptable is its subtlety, the double-face which double-deals, the Iago perpetrators hidden for decades, smiling the smiles of polite and not so polite society. They nod and wave, heroes to many; sly politicians these Claudiuses. Time favours the Macbeths and forgets the maligned. The former enjoy live, some even oblivious to their lies as being lies, for they prefer to bask in blessings, aping the certainties of creed, cheating death and duty while in pavilions of ease. They succeed on their success, trite or vast; wealth for some, and enviably, fame for the few. The unaware, their victims, float off to obscurity on ruptured vessels of injustice to theater lands unknown, never really knowing why, if the job's done property. Normality is, truthfully, life's whore, readily embraced and conveniently embracing; secretly, it has the clap. Thinking of plot should then give pause. The treacherous cheat fate and re-write, their 'intended history'. Call it fate. They become authors of an illicit story, penmen of their own gods, living their own fresh creation through a new, egregious, utilitarian drama that is untouched by either truth or beauty.”