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Quote by Glen Duncan

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The Last Werewolf (The Last Werewolf 1)

The story follows the last known werewolf as he navigates a modern world that has systematically eradicated his species. Facing both human hunters and his own existential despair, he must confront the meaning of his existence and the possibility of a final, transformative choice. more

Author

Glen Duncan
Glen Duncan

Glen Duncan, born in 1965, is a renowned author from Scotland. His works are known for their unique narrative style and profound philosophical insights, spanning genres such as fantasy, horror, and literature. more

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“I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.”

FirstsHumansLongTwoReasonRememberKnowingSawsSeeingDangerousEmotionalHairTypeHorrorTransformationScaryLegsMoodAppealsKicksSuspectsDreadLimbsWerewolfGeeseClawsHybridFingernailsEmotional Appeal
Author:Glen Duncan
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“Actions are interesting to watch. I learn about the actors. Their movements are emblems of the tensions in this internal landscape, which their actions resolve. About-to-act is an interesting state to experience, because I am conscious of just those tensions. Acting itself feels fairly dull; it not only resolves, it obliterates those tensions from my consciousness. Acting is only interesting as it leads to new tensions that, irrelevantly, cause me to act again.”

FeelsStatesActionActorsCausesInterestingActingConsciousnessWatchesMovementConsciousLandscapeTensionDullInternalsResolveEmblems
Book:Dhalgren
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“The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.”

ShouldArtIdeasArtistPiecesMagicProducePaintingInternalsSubmitVulgarDistrustSpectatorsIdentical
Author:Samuel R. Delany
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