Quotessence
Home / Quotes / Quote by Theodora Goss

Quote by Theodora Goss

“MARY: Are our readers going to know what the Athena Club is? CATHERINE: They will if they read the first two books! Which they should, and I hope if they are reading this volume and have not read the previous ones, they will go right out and purchase them. Two shillings each, a bargain at the price!”

Quote by Theodora Goss

Book:The Sinister Mystery of the Mesmerizing Girl
Create image

Work

The Sinister Mystery of the Mesmerizing Girl

Browse quotes and source details for this work. more

Author

Theodora Goss
Theodora Goss

Theodora Goss is an American speculative fiction writer, known for her unique voice and thought-provoking narratives. Her work often explores themes of identity, gender, and the human condition. Goss has published numerous short stories and novels, and has received several awards for her writing, including the World Fantasy Award and the Nebula Award. more

You May Also Like

“BEATRICE: They are the clothing of the New Woman. They are meant not to be feminine, but practical. CATHERINE: On women they look like men’s clothing, on men they look like women’s clothing. That’s where the New Woman meets the Dandy. BEATRICE: Why is it necessary to categorize people in that fashion? Why can we not all wear whatever we wish, whatever is useful and aesthetically pleasing? I believe that someday we shall all wear garments that are light and of a pleasing texture, easy to put on and take off. At the same time, they will express the aspirations of the spirit. They will be like the garments of the Greeks, both graceful and functional. Why can we not dress in such a fashion now? MRS. POOLE: Because this is England, and you would all catch your deaths of cold.”

PracticalityCatherine MoreauBeatrice Rappaccinice
Book:The Sinister Mystery of the Mesmerizing Girl
Create image

“MARY: My wrath! When do I ever get wrathful? CATHERINE: It’s your particular kind of wrath. You don’t shout—you just get precise and icy. MARY: That’s not wrath. I don’t think that counts as wrath. DIANA: It’s Mary wrath. Your particular kind, as Cat said. Not that I’m scared of it, mind you. But it’s worse than being shouted at. MARY: I have no idea what either of you are talking about. Alice, am I ever wrathful? ALICE: Well, yes, actually. If you don’t mind my saying so, miss. When you learned what the Order of the Golden Dawn had done to me and Mr. Holmes— CATHERINE: Oh no, you don’t! We have chapters to go before you can talk about that. Really, not one of you has any idea of narrative timing.”

SpoilersMary JekyllCatherine MoreauDiana HydeWrathful
Book:The Sinister Mystery of the Mesmerizing Girl
Create image

“BEATRICE: You make me sound so dramatic, Catherine! CATHERINE: Well, you are dramatic, with your long black hair and the clear olive complexion that marks you a daughter of the sunny south, of Italy, land of poetry and brigands. You would be the perfect romantic heroine, if only you weren’t so contrary about it. BEATRICE: But I have no desire to be a romantic heroine. MARY: Brigands? Seriously, Cat, this isn’t the eighteenth century. Nowadays Italy is perfectly civilized.”

Mary JekyllCatherine MoreauBeatrice RappacciniBrigands
Book:European Travel for the Monstrous Gentlewoman
Create image

“You know, I’ve been called a thief before. Growing up in Hackney, going to the markets with my mother—the shopkeepers always kept an eye on us, in case we pilfered anything. Because we looked Indian, and you could never tell with those wogs, could you? The number of times I was told I wasn’t welcome because I wasn’t really English, even though I’d been born in London, same as them. I thought the circus was going to be different. I thought you”—she looked at Catherine accusingly—“were going to be different. But you know what? Why don’t you just search my stuff. Go on. Whatever you’re missing, jewelry or money—you just go ahead and look for it!” She bent down and drew her suitcase out from under the seat, threw it on top, and opened it violently, so that dresses and scarves spilled out. She shook the contents directly onto the seat cushions, then scattered them about. “Here you go, that’s what you wanted, right? And if you find whatever you’re looking for, you can go ahead and put me in gaol, or whatever they have for gaol here in Austria. I’m going to feed the snakes—they need their lunch too. They may be poisonous, but they’ve never made me feel like dirt. It takes a human being to do that.”

Catherine MoreauWrong Conclusion
Book:European Travel for the Monstrous Gentlewoman
Create image

“CATHERINE: Readers who are not familiar with the tale of Beatrice and Giovanni can find it in the first of these adventures of the Athena Club, in an attractive green cloth binding that will appear to advantage in a lady’s or gentleman’s library. Two shillings, as I mentioned before. BEATRICE: You would use the story of my grief to sell copies of your book? CATHERINE: Our book. I may be writing it, but you are all as responsible for its contents as I am. What is the point if we don’t reach readers? And honestly, Bea, you’re not the only one whose sorrows are being recorded here. I mean . . . Bea? MARY: She’s gone back to the conservatory. I think you offended her—seriously offended her. The way you offended Zora. CATHERINE: Why do you humans have to be so emotional?”

Mary JekyllCatherine MoreauBeatrice RappacciniTactless
Book:European Travel for the Monstrous Gentlewoman
Create image

“MARY: Cat, should you be writing all this? I mean, Irene still lives in Vienna. Her secret room won’t be a secret once this book is published. CATHERINE: She said I could. Granted, she said no one would believe it anyway, the way no one believes Mrs. Shelly’s biography of Victor Frankenstein. Everyone assumes it’s fiction. She says people rarely believe in what they think to be improbable, although they often believe in the impossible. They find it easier to believe in spiritualism than in the platypus. BEATRICE: So she thinks our readers might assume this is a work of fiction? CATHERINE: Bea, you sound upset by that. BEATRICE: And you are not? Do you not care whether readers understand that this is the truth of our lives? CATHERINE: As long as they buy the book, no, not much. As long as they pay their two shillings a volume, and I receive royalties . . .”

FrankensteinMary JekyllCatherine MoreauIrene AdlerBeatrice Rappaccini
Book:European Travel for the Monstrous Gentlewoman
Create image

“MARY: Renaissance, not medieval. Most of the castle was built during the sixteenth century, although I believe its foundations date from the fourteenth. CATHERINE: And our readers will care why? MARY: You may not care for accuracy, but I do—and Carmilla will, when she reads this book. CATHERINE: If I ever get the damn thing written, with all these interruptions!”

RenaissanceAccuracyMary JekyllCatherine MoreauCarmilla
Book:European Travel for the Monstrous Gentlewoman
Create image

“MARY: It’s called a Schloss. That’s what small castles are called in Styria, Laura told me. CATHERINE: Yes, but do you think our English readers are going to know that? Or our American readers? I’m hoping for some American sales, if the deal with Collier & Son comes through, and there are no Schlosses in America—just teepees and department stores. BEATRICE: The slaughter of the native population is a shameful stain on American history. Clarence says— CATHERINE: For goodness’ sake, how are we going to sell to readers in the United States if you go on about the slaughter of the native Americans? Who’s going to want to read about that? BEATRICE: Those who do not want to read about it are exactly those who should be made aware, Catherine. This may be a story of our adventures, but we must not shy away from confronting the difficult issues of the times. Literature exists to educate as well as entertain, after all. DIANA: You all went from Schlosses to teepees to a political discussion, and you think I ramble?”

AmericanLauraMary JekyllCatherine MoreauBeatrice RappacciniDiana Hyde
Book:European Travel for the Monstrous Gentlewoman
Create image