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Quote by Mahmoud Darwish

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Mahmoud Darwish
Mahmoud Darwish

Mahmoud Darwish was a renowned Lebanese poet known for his profound poetry and strong nationalist sentiments. His works extensively explored the sufferings and hopes of the Palestinian people, profoundly influencing Middle Eastern literature. more

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“One of Hellenistic Jewry's signature achievements was the Septuagint, the translation of Tanakh into Koine (common) Greek. Compiled between the third and first centuries BCE, it almost certainly represents the work of Alexandrian Jewry, who needed scripture in Greek because they no longer spoke or wrote Hebrew. The Septuagint makes some formal changes, reordering books and including new material. Its existence offers witness to the religious power that Jews in the last centuries BCE were according written texts, a significant moment in the process by which Jewish identity embraced Torah and Judaism became a "religion of the book." Even so, the Septuagint has arguably had a greater abiding significance for Christianity than for Judaism. The Old Testament used it, rather than Tanakh, for a basis; New Testament writers quoted it (rather than Hebrew versions). Catholic and Orthodox Christians would accept its additions as a second set of fully authoritative (deuterocanonical) books. Most Protestants would not, although some printed them in a separate section of their Bibles. The early Church forged its principal doctrines in conversation with it. The legend that seventy-two translators "harmoniously" produced identical copies has a Christian provenance: Epiphanius, a fourth-century bishop who defended the Septuagint's superiority against later Jewish revisions. As its importance for Christians rose, Jews abandoned it to assert the sole legitimacy of the Hebrew text.”

“We live in an era where good design is available everywhere. Design that can attract and lead to a purchase, a sales call, a following, a subscription… If you have good design everywhere, what makes you stand out as an individual? What in your branding turns that simple scroll into a yes, yes, yes! I am in; I resonate.”

“Men who pursue a multitude of women fit neatly into two categories. Some seek their own subjective and unchanging dream of a woman in all women. Others are prompted by a desire to possess the endless variety of the objective female world. The obsession of the former is lyrical: what they seek in women is themselves, their ideal, and since an ideal is by definition something that can never be found, they are disappointed again and again. The disappointment that propels them from woman to woman gives their inconstancy a kind of romantic excuse, so that many sentimental women are touched by their unbridled philandering. The obsession of the latter is epic, and women see nothing the least bit touching in it: the man projects no subjective ideal on women, and since everything interests him, nothing can disappoint him. This inability to be disappointed has something scandalous about it. The obsession of the epic womanizer strikes people as lacking in redemption (redemption by disappointment). Because the lyrical womanizer always runs after the same type of woman, we even fail to notice when he exchanges one mistress for another. His friends perpetually cause misunderstandings by mixing up his lovers and calling them by the same name. In pursuit of knowledge, epic womanizers (and of course Tomas belonged in their ranks) turn away from conventional feminine beauty, of which they quickly tire, and inevitably end up as curiosity collectors. They are aware of this and a little ashamed of it, and to avoid causing their friends embarrassment, they refrain from appearing in public with their mistresses.”