Quotessence
Home / Quotes / Quote by Samson J. DeSessa

Quote by Samson J. DeSessa

“You either win or you learn. Consider everything to be a win since the goal is to gain experience to level-up.”

Quote by Samson J. DeSessa

Create image

Author

Samson J. DeSessa

Browse famous quotes and profile details for Samson J. DeSessa. more

You May Also Like

“The sea with its perpetual oscillation, that obstinate swell sweeping up to the cliffs twice a day, exasperated him: it was senseless force, indifferent to his grief, wearing down the same rocks for centuries while never mourning the death of a single human being. it was too vast, too cold; and he would hurry home and shut himself indoors, to feel less insignificant, less crushed between the dual infinities of sea and sky.”

PessimismThe SeaZola
Book:The Bright Side of Life
Create image

“Per un istante, temendo di svenire a quell'odore di donna che ritrovava più caldo, moltiplicato, sotto il soffitto basso, si sedette sul bordo del divano imbottito, tra le due finestre. Ma si rialzò immediatamente, tornò accanto alla toeletta, senza guardare più niente, gli occhi vacui, ripensando a un mazzo di tuberose che una volta era appassito nella sua stanza e l'aveva fatto quasi morire. Le tuberose, quando si decompongono, hanno un odore umano.”

ZolaNanà
Book:Nana
Create image

“It is not the experience which leads him to the problem, but the problem which leads him to the experience. That is also Zola’s method and procedure. He begins a new novel as the German professor of the anecdote begins a new course of lectures, in order to obtain more exact information about a subject with which he is unfamiliar.”

Zola
Book:The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age
Create image

“I spite of his scientific attitude he is a romantic, and indeed much more whole-heartedly so than the other less radical naturalists of his day. His one-sided, undialectical rationalization and schematization of reality is already boldly and ruthlesslyromantic. And the symbols to which he reduces motley, many-sided, contradictory life— the city, the machine, alcohol, prostitution, the department store, the markethall, the stock exchange, the theatre, etc.—are all the more the visions of a romantic systematizer, who sees allegories instead of concrete individual phenomena everywhere.”

PhenomenonRomanticismZola
Book:The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age
Create image