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Quote by Dan Chiasson

“I treat myself as one of the sources. And, again, I think that’s accurate. One of the poets I read most frequently is myself. I really do. I read my own poems obsessively.”

Quote by Dan Chiasson

Author

Dan Chiasson is an accomplished American poet, born in 1971. His work is known for its refined imagery and profound emotional depth, earning him acclaim from literary critics. more

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“The main thing in poetry criticism is that I have all these opinions, and I love having something to do with them. And I think it's important that people try not to be false. The ideal would be that everybody says everything in print. I don't know that it's that I'm not afraid.”

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“I do care about the consequences of being negative toward people who are powerful. But I'm more afraid of not being taken seriously as a critic - by editors, by readers.”

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“The issue is that when you're a critic it's hard to tell the difference between the thrill of denouncing and telling the truth. Telling the truth to me feels more often like denouncing than like praising. There are many more concrete advantages in the world for people who praise than for those who denounce. So if you want to tell the truth, oftentimes you're going to err on the side of denouncing. That's just something I have to work on.”

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“If I am capable of grasping God objectively, I do not believe, but precisely because I cannot do this I must believe.”

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“The events in America now have the quality of things you would find out about long after the fact, and think: if only we had known. Well, we do know now. But what are we doing? Maybe a poet like Lowell brought America a little nearer to its boiling point.”

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“Democracy is the product of human thought and reasoning. It's true that philosophers and thinkers have always imagined a utopia in which everything is as it ought to be and the people live in freedom and comfort. But this was not achieved until recent centuries.”

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“The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.”

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“Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.”

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“The more stringent the rules and the more limiting they are, the more the poet and writer is forced to resort to special techniques and intricacies to escape them. And these techniques and intricacies adorn the writing and make it more beautiful. But, in the modern world, linguistic intricacies and embellishments do not attract much attention anymore, and the more sincere and intimate the relationship between a work and its reader, the better.”

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“No one can create a noteworthy work without knowing the tenets of their own language and literature. Language is renewed but it never changes its essence, because the contracts that have come about over time for communication cannot be rescinded so easily.”

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