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Quote by Solita

“I want to hear you say those words again. If you do, I won't hold my feelings back anymore. I might hug you or kiss you”

Quote by Solita

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Solita

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“You know of gimu. But have you studied ninjō?" It's hard to think the way he's looking at me. I rack my brain. "Ninjō?" "Ninjō is human emotion, and often conflicts with gimu. A classic example is a samurai who falls for a shogun's daughter. Bound by duty, he cannot act on his feelings." "Or an imperial guard who wishes to change careers but cannot out of familial obligation?”

Japanese CultureExpression Of True FeelingsHuman Emotion
Book:Tokyo Ever After
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“In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.”

EsmeraldaHunchback Of Notre Dame
Author:Victor Hugo
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“Furono trovati tra tutte quelle carcasse raccapriccianti due scheletri di cui uno teneva l'altro strettamente abbracciato. Uno di questi due scheletri, che era quello di una donna, aveva ancora qualche brandello di una veste la cui stoffa doveva essere stata bianca e intorno al collo una collana di adrézarach con un sacchettino di seta, ornato di vetri verdi, che era aperto e vuoto. Quegli oggetti avevano così poco valore che senza dubbio il boia non li aveva voluti. L'altro, che teneva questo primo scheletro strettamente abbracciato, era lo scheletro di un uomo. Fu notato che aveva la colonna vertebrale deviata, la testa nelle scapole, e una gamba più corta dell'altra. Non aveva però alcuna rottura di vertebre alla nuca, ed era evidente che non era stato impiccato. L'uomo al quale apparteneva era dunque andato là, e là vi era morto. Quando si cercò di staccarlo dallo scheletro che abbracciava, si disfece in polvere. " - Notre-Dame de Paris, V. Hugo”

FineDustEndEndingFinaleNotre Dame De ParisEsmeraldaQuasimodoPolvere
Book:The Hunchback of Notre-Dame
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