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Finale Quotes

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Finale Quotes

“That´s the problem with planning a late night supper after the opera, not only does the hero or the heroine die singing, but you end up famished after the last notes of the finale.”

“But I don't want to feel differently. I want to feel love in its every form. I used to be so scared of it, but now I think love is another type of magic. It makes everything brighter, it makes people who have it stronger, it breaks rules that aren't supposed to exist, it's infinitely valuable. I can't imagine my life without it. And if you felt any love in your heart, you would understand. ' DONATELLA DRAGNA, PAGE NO. 183”

“I was terrified of what might have happened to you," I choked out. "I was terrified thinking the same about you." "The devilcraft-" I began. Patch exhaled beneath me, and my body dipped with his. His breath carried relief and raw emotion. His eyes, stripped of everything but sincerity, found mine. "My skin can be replaced. But you can't, Angel. When Dante left, I thought it was over. I thought I'd failed you. I've never prayed so hard in my life.”

“The garment he'd sent had straps made of flower petals, a bodice made of ribbons lined in gems as small as glitter and a full skirt formed of hundreds of silk butterflies, all in different shades of blue that together formed a magical hue she'd never seen. Some had sheer blue wings that were almost as pale as tears, others were soft sky blue, a few had hints of violet, while some had periwinkle veins. The butterflies weren't alive, but they were so delicate and ethereal, at a glance they looked real.”

“Furono trovati tra tutte quelle carcasse raccapriccianti due scheletri di cui uno teneva l'altro strettamente abbracciato. Uno di questi due scheletri, che era quello di una donna, aveva ancora qualche brandello di una veste la cui stoffa doveva essere stata bianca e intorno al collo una collana di adrézarach con un sacchettino di seta, ornato di vetri verdi, che era aperto e vuoto. Quegli oggetti avevano così poco valore che senza dubbio il boia non li aveva voluti. L'altro, che teneva questo primo scheletro strettamente abbracciato, era lo scheletro di un uomo. Fu notato che aveva la colonna vertebrale deviata, la testa nelle scapole, e una gamba più corta dell'altra. Non aveva però alcuna rottura di vertebre alla nuca, ed era evidente che non era stato impiccato. L'uomo al quale apparteneva era dunque andato là, e là vi era morto. Quando si cercò di staccarlo dallo scheletro che abbracciava, si disfece in polvere. " - Notre-Dame de Paris, V. Hugo”

“Quasimodo allora alzò nuovamente lo sguardo sull’egiziana di cui vedeva il corpo, appeso alla forca, fremere da lontano sotto l’abito bianco negli ultimi spasimi dell’agonia, poi li abbassò sull’arcidiacono disteso ai piedi della torre senza più forma umana, e disse con un singhiozzo dal profondo del petto: «Oh! Tutto ciò ce ho amato!»" -Notre-Dame de Paris, V. Hugo”

“Dude. I’m going to have a baby. A baby cub. What the hell am I going to do?” Amara hugged her close and kissed her temple. Her friend warmed her when Eliana hadn’t been sure she could ever feel any form of warmth again. “You’re going to be a kickass mom. You and Malik are going to talk and figure out a plan. Whether you are together or apart, you’ll be there for this baby. We all will. I know fate just threw you a curveball of epic proportions, but you can handle it. You’re stronger than you think you are.” Eliana hoped her friend was right. Because everything had changed once again and now she had to be the rock for not only herself but her baby, as well. Only she was tired of being the rock. She wanted to lean against someone. She wanted a partner. She just didn‘t think Malik knew what it meant to be a partner. Because she sure as hell didn’t.”

“She'd been the one to push him away this time, yet it hurt just as much as it had before. The door clicked closed behind him, and she gasped out a sob, her body shaking. Why had she said what she'd said? Why had she pushed him away like that? It made no sense. The only thing she wanted was to wrap her arms around him and never let him go. And that was why she didn't do it. Because once she did, she'd never let go. And she wasn't sure she'd survive if she had to watch him leave her again.”

“Everything smelled of dust trapped in light, cracked leather and wayward dreams. Breathing in and out through her nose, Tella looked down at the Map of All. It had transformed once they'd entered the library. It now revealed an entire kingdom made of books that could either have been a book lover's nightmare or their wish come true. There was a Broken Spine Castle, an Unread River, a Ravine of Ripped Pages, a Poetry Valley, a set of Novel Mountains, and then finally, the Ruscica and Books for Advanced Imaginations. The most direct route to this room was through an area referred to as The Zoo. Tella wondered if it would have books in cages, but The Zoo didn't even have bookshelves. The books all roamed freely in this room as they clung together to take the shapes of different animals. Tella spied bookish rhinos, paper-mache elephants and very tall giraffes that milled about in an oddly peaceful silence. The elephant sniffed at Tella with its leathery-grey trunk of books, while a paper bunny made of loose pages noiselessly hopped after Legend. The bunny continued to follow as they left The Zoo and reached The Reading Chamber, where books formed couches and chairs and one massive throne.”

“I think we're always trying to avoid tropes. And I think that "Game of Thrones" has almost made killing people a cliche. For us, it wasn't about that. For six episodes, it's hard to invest in people, and I think when you kill a main character on television it really needs to mean something. So we certainly had talked about that, and I think we managed to juggle the ball to make a gripping, interesting and compelling finale. We feel that we didn't have to go there at this point because we had such few episodes.”

“I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.”

“Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!”