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Quote by Lynne Ewing

“I want you to tattoo me." "Tattoo? I don't know how." "You draw," Jimena explained. "That's all you need to know to do a jailhouse tattoo. I'll tell you the rest." An hour later the tattoo of a crescent moon and star was bleeding on Jimena's arm. "It looks good," Catty said with pride. "Yeah." Jimena stood in front of the mirror and admired Catty's work. Excitement ran through her when she looked at herself. She glanced at Catty and knew she was feeling the same. They stared at each other's reflections. "You look... like a goddess," Catty said, smiling. Jimena remembered she no longer had her gift. Could she even call herself a goddess now? With rising self-assurance, she knew it was her rightful title. The power was inside her.”

Quote by Lynne Ewing

Work

Night Shade

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Author

Lynne Ewing
Lynne Ewing

Lynne Ewing, born in 1938, is an accomplished author known for her works in both children's literature and adult fiction. Her writing is celebrated for its rich imagination and emotional depth. more

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“She breathed the spicy smells of frying onions and chilies from the taco stand on the corner and tried to figure out where she was. In the distance the familiar shining office buildings of the Los Angeles skyline stood tall in the smoggy brown air. Behind her, faded stuffed animals pressed against the barred glass of a liquor store, their black eyes peering over advertisements for cigarettes, cerveza, and lottery tickets. Next door a fanfare of lace and satin filled the window, waves of quinceañera dresses jamming the display. She didn't need to see more. She was on the wrong side of Wilshire Boulevard, east of Alvarado. Enemy territory.”

“Detesto seguir alguém assim como detesto conduzir. Obedecer? Não! E governar, nunca! Quem não se mete medo não consegue metê-lo a ninguém, E só aquele que o inspira pode comandar. Já detesto guiar-me a mim próprio! Gosto, como os animais das florestas e dos mares, De me perder durante um grande pedaço, Acocorar-me a sonhar num deserto encantador, E forçar-me a regressar de longe aos meus penates, Atrair-me a mim próprio... para mim.”

“Yes, it looks like this Charlie fella took the pimpin' playbook and ingeniously rewrote it for a generation of girls pissed off at their folks. As he watches Pussycat sincerely spew this fella's horseshit, Cliff tries to imagine where she came from. If in the fifties, he'd followed through with his intention to give the pimping game a whirl, he never would have gotten close to a pretty, obviously educated gal like this one. But this whole hippie shit put the whole world out of whack. Now she's offering up her snatch for a lift to Chatsworth. Girls who, before, maybe gave you a hand job at the drive-in will now fuck you and your friend. Where those French dudes supplied their girls with champagne, lipstick, pantyhose, and Max Factor, this Charlie dude supplies his with acid and free love and a philosophy that ties it all together.”

“Ludmilla, now you are being read. Your body is being subjected to a systematic reading, through channels of tactile information, visual, olfactory, and not without some intervention of the taste buds. Hearing also has its role, alert to your gasps and your trills. It is not only the body that is, in you, the object of raeding: the body matters insofar as it is part of a complex of elaborate elements, not all visible and not all present, but manifested in visible and present events: the clouding of your eyes, your laughing, the words you speak, your way of gathering and spreading your hair, your initiatives and your reticences, and all the signs that are on the frontier between you and usage and habits and memory and prehistory and fashion, all codes, all the poor alphabets by which one human being believes at certain moments that he is reading another human being.”