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Requiem Infernal

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Peter Fehervari

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“She had applied to college without her parents' knowledge, and when she got her choral scholarship she broke from childhood, choosing music as her religion. Emily and Jess pressed him, but they didn't understand. Their mother's life began when she came up to Cambridge on her own. "It's like a fairyland here," she used to say, when they walked through the ancient cloisters. She was a quiet rebel, buying a Liberty-dress pattern and sewing her own gown for the Emmanuel College ball, dancing until dawn, and then slipping barefoot onto the velvet lawns reserved for Fellows. As a soprano she sang for services and feasts. As an adventurer, she tried champagne for the first time and pork loin and frog's legs.”

“Their mother had white hands, long tapered fingers, and when she kneaded dough, her wedding ring clinked against the bowl. She was always singing softly as she played the piano with her white hands. She accompanied Emily's dance recitals and she could play anything, but Chopin was the one that Gillian loved. She played Chopin every night, and when she turned the pages, she wasn't really looking at the music. She knew the saddest Waltzes by heart. The saddest were the ones that she knew best, and she would play at bedtime, so falling asleep was like drifting off in autumn forests filled with golden leaves.”

“l believe men like Virat Kohli , Rohit Sharma , Jasprit Bumrah , and Hardik Pandya prove it again and again that the real men deliver when it matters the most! When I say real men, I mean men who have a family, and face the challenges of leading a family, and still they perform when it matters the most. And I remember that scene of Russel Crowe from the movie 'Gladiator' and it reminds me of real men where he says “My name is Maximus Decimus Meridias, commander of the armies of the north, general of the Felix legions....." and the other amazing line from Maximus where he says: "What we do in life, echoes in eternity.”

“BLOODY LIPS The bloody wound Of the gladiator Gurgles out life's end. The cries of acclimations from the stands Fill the sky with raging tigers. Waving their arms about to incite the masses The aging notables add an air of dignity to the arena. Making their separate entries they K N E E L over the still-warm corpses Of the young. Their withered lips they pose Upon the fresh flowing wounds And, to prolong their lives – so they believe, Suck, ravenously suck out the blood, blood, blood. Fresh blood from the sun Flowing into filthy veins As into sewage pipes, And thus the Heart of the Nation is abandoned.”

“Maximus coughed a while longer, but in the middle of the night towards the end of the week, they were all woken by a terrible squealing, distant shrieks of terror and fire; in a panic they burst out from the tents to discover Maximus attempting guiltily to sneak unnoticed back into the parade grounds, with as much success as was to be expected in this endeavor, and carrying in his already-bloodied jaws a spare ox. This he hurriedly swallowed down almost entire, on finding himself observed, and then pretended not to know what they were talking about, insisting he had only got up to stretch his legs and settle himself more comfortably.”

“I come back to the geography of it, the land falling off to the left where my father shot his scabby golf and the rest of us played baseball into the summer darkness until no flies could be seen and we came home to our various piazzas where the women buzzed To the left the land fell to the city, to the right, it fell to the sea I was so young my first memory is of a tent spread to feed lobsters to Rexall conventioneers, and my father, a man for kicks, came out of the tent roaring with a bread-knife in his teeth to take care of the druggist they’d told him had made a pass at my mother, she laughing, so sure, as round as her face, Hines pink and apple, under one of those frame hats women then This, is no bare incoming of novel abstract form, this is no welter or the forms of those events, this, Greeks, is the stopping of the battle It is the imposing of all those antecedent predecessions, the precessions of me, the generation of those facts which are my words, it is coming from all that I no longer am, yet am, the slow westward motion of more than I am There is no strict personal order for my inheritance. No Greek will be able to discriminate my body. An American is a complex of occasions, themselves a geometry of spatial nature. I have this sense, that I am one with my skin Plus this—plus this: that forever the geography which leans in on me I compell backwards I compell Gloucester to yield, to change Polis is this”

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“Rick looked at his watch and gave a nod. “Yup! We have enough time before our next appointment.” “Enough time for what?” asked Amelia. He grinned and began dancing around her and singing in jazz style: “Goin’ down the bayou! Goin’ down the bayou! Goin’ down the bayou! Doodle-ee doodle-ee-doo!” When Rick saw her eyes brighten, he said, I checked out a few bayous at Cross Lake. We’re goin’ down the bayou, sweetie.” Amelia asked with laughter in her voice, “Were you just singing a Disney tune? From the Princess and the Frog?” “Yup! I have many talents.”