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“Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.”

Quote by Elizabeth Lim

Book:When You Wish Upon a Star
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When You Wish Upon a Star

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Elizabeth Lim

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“Faintly rattled, Delphine rounded a curve in the path and found herself at the edge of clearing, the trees pulling back from a carpet of verdigris grass. They gave up the wildness of the wood here, tamed into symmetrically intertwined branches whose openings revealed more pale paths into the forest. The diffuse light of the forest concentrated here, as though emanating from hidden gas lamps. Delphine toed the boundary of what she now saw was an enormous fairy ring. A structure of pure white rose from the center of the ring, the beams arching like the bones of a cathedral, the space between filled with delicate filigree of brittle white. Windows like translucent dragonfly wings shone under cornices carved like birds and flowers and trailing vines. A castle, Delphine thought, or a church--- all the same emphasis and gravitas translated here, and something stranger and deeper.”

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“She stepped inside a vestibule with a silver bowl of pure, clear water set on a pedestal made of what Delphine could only assume was a very large, very sturdy zinnia. Was she supposed to wash in it, or was she firmly barred from touching it? She glanced in its shallow depth, and it began to pulse and swirl with pale light. She stepped away quickly. A filmy veil of light separated the interior; she held out a tentative finger, and the light brushed it like organza and separated for her. She stepped through into the Court, sprawling and open to the sky above, yet bound by the pale walls on all sides. Inside, the Court looked back at her. Dozens of Fae, gathered in twos and threes, beneath trees of gold and silver and around pools of deep azure blue, inside pavilions made of sheer flower petals and on carpets that must have been woven bird feathers. They all watched her, silently, unmoving. Each was almost painful to look at, beautiful and yet sharp and cold. All of them were arrayed in the spoils of their bargains, with sheer gowns of watercolor silk and robes of pliable silver, elaborate braids adorned with finely wrought metal and tautly bound silk, and even, on a few, wings and horns and talons refashioned from wood and bone and glass. Delphine was terrified of them, and yet also drawn to them. A great and terrible power hummed among them, just below the surface, a nearly tangible potential for change, for creation, for more than anything the world on her own side of the veil could offer.”

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“He smiled. "This is all going into your book, isn't it?" "I was not even thinking about my book," I said defensively--- I was only half lying. With my encyclopaedia complete, I have, as Wendell knows, turned my attention to another large project--- creating a mapbook of all the known faerie realms, as well as their doors. Such a book will be a patchwork thing, unavoidably so--- faerie realms are often attached to specific geographical locations in the mortal world, though only a few have been explored in a meaningful way--- but I wish to use it to argue Danielle de Grey's point: that the realms are more interconnected than previous scholarship has suggested. Finding evidence of the nexus would be the linchpin of the entire project.”

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“I had several sketches drafted for my mapbook--- my intention for the first edition was to focus on the best known faerie kingdoms of Western Europe, scouring the literature for references to their doors. Some doors have been documented; more have not, or exist as rumors. While it's true that many faerie kingdoms are tied to specific mortal regions, others are more nebulous, and a tale may place one at the edge of a village a hundred miles from the setting of a later iteration of the same story. I am aware that mine is no easy task, given that faerie doors can and do move, and what I will accomplish is likely to be a mere snapshot of Faerie during this particular era. Even so, it will be a monumental achievement for scholarship, something for others to build upon--- particularly if I can produce evidence of such disputed doors as the nexus.”

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“We seemed to have emerged upon a snowy curve of mountainside below a glacier--- I believe we were in Faerie, for there were two little stone houses tucked in amongst the jagged icicles at the glacier's edge, with smoke curling from their chimneys. One had an apple tree in its yard, the apples coated in a rind of ice. The icicles themselves were like a forest of glittering trees, through which the fox faerie was darting, deeper into the glacier. "Hurry up!" the faerie called. I hurried, against my better judgment I might add, but then that is almost always the case when interacting with the Folk; stumbling into an impossible forest of icicles is not the most ill-advised thing I have done in my career. The forest made little plinking sounds and reflected our darting shapes strangely. In the distance, there was music.”

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“We will be taking a long sabbatical from Cambridge, both of us. Wendell does not believe he will return, and why would he? The scholarly life was for him merely the means to an end, the end being finding a way back to his home. But I know that I will, if only from time to time. Perhaps a semester here, a semester there. A tenured scholar has a great deal of freedom, after all, and once the article I have written on my journey into the Silva Lupi (much redacted and condensed, of course) appears in next month's issue of Modern Dryadology, Cambridge will be all the more eager to retain me. Rose, who acted as co-author, and actually deigned to allow my name to appear first in the publication, is certain it will send the scholarly community into a tizzy. And also--- I will have my mapbook to publish.”

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“Wendell pushed the door open. Light. It was full morning, and my vision flooded with color. Primarily green, but there was also the yellow of moss and lichened stone, the violet of bluebells clustered at the edge of the forest, the gold of sunbeams, and the rich azure of the sky. The door opened onto a hill in a small clearing, beyond which a wall of trees nodded their boughs in the wind, as if in greeting. The air was wet from a recent rain and heavy with the smell of green and growing things--- all as I remembered.”

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“Wendell rested his hand on one of the cherry trees in an absent sort of way, gazing over the landscape. The tree began to flower, buds bursting forth in a riot of purples and blues, and the leaves grew so green they resembled crushed emeralds. It matched Wendell's expression, somehow, as he swept his gaze over the view, a contentment that seemed to radiate from him, cheering all in his vicinity. Two servants carrying what looked like a newly minted silver mirror stepped more lightly, their faces brightening, and a fat leprechaun sprawled against a nearby boxwood chuckled in his sleep.”

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