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Quote by Lafcadio Hearn

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The Life and Letters of Lafcadio Hearn Including the Japanese Letters

The Life and Letters of Lafcadio Hearn Including the Japanese Letters is a compilation of correspondence and personal essays by Lafcadio Hearn, a Greek-born American writer and critic. The book provides a detailed look into Hearn's life, particularly his time spent in Japan, where he became a prominent figure in the study of Japanese culture. The letters and essays reflect his deep engagement with the Japanese language, literature, and society, offering readers a unique perspective on the cultural exchange between East and West during the late 19th and early 20th centuries. more

Author

Lafcadio Hearn
Lafcadio Hearn

Lafcadio Hearn, born on June 27, 1850, and died on September 26, 1904, was a renowned writer. His works spanned various fields such as literature, folklore, and travel literature, known for his unique perspective and profound insights. more

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“And also to the alien, who is not of Thy people Israel, but comes from a distant land on account of Thy fame; for hearing of Thy great name and Thy strong hand, and Thine outstretched arm, he comes to this house to pray... do Thou listen in the heavens, the place where Thou dwellest, and perform all that the alien begs of Thee, so that all the peoples of the earth may know Thy name, to fear Thee like Thine own people Israel, and to know that Thy name is proclaimed over this house that I have built.”

“Consider, children ... the pain of touching the tip of your finger to your mother's stove, even for a fraction of a second. That is an experience which most of you have suffered. Now try to imagine that pain, not simply on a fingertip but spread over the whole surface of your body, and not for a mere second, but everlastingly. That, children, is hellfire.”

“I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.”