Home / Quotes / Quote by Mario Giacomelli

Quote by Mario Giacomelli

“[My mother] died a few months ago, and when she was dead I kissed her lips. For me it was a beautiful moment. From then on I started living with her, asking her from time to time if she was alright, if she was pleased with me. But these things are far greater than photography, and I probably shouldn't be speaking about them.”

Quote by Mario Giacomelli

Author

Mario Giacomelli

Mario Giacomelli was an Italian photographer born on August 1, 1925, and passed away on November 25, 2000. His photography is renowned for its unique perspective and masterful use of light and shadow. more

You May Also Like

“I embrace the abstract in photography and exist on a few bits of order extracted from the chaos of reality.”

Reality Order Bits Photography Embrace Chaos Abstract

Author:Ralph Gibson

“I believe that the medium of photography prevails entirely as an act of faith in the souls of those who love and practice it. And so every photograph becomes another subtle variation on the theme of the medium itself.”

Believe Soul I Believe Practice Photography Photograph Mediums Theme Subtle Variation

Author:Ralph Gibson

“I'm interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I'm not interested in the full-figure. I want to abstract forms.”

Want Form Figures Shapes Abstract Proportion Not Interested Composition Luminous

Author:Ralph Gibson

“It occurs to me that at the beginning one works passionately to learn photography. This takes years, and the craft is usually formed during this period. Then as time passes one finds oneself more in the role of serving the medium... Then, as in the example of several masters that I have been privileged to know personally, it appears that by having devoted oneself totally to the medium, one becomes photography.”

Knows Years Has Beens Roles Example Masters Periods Photography Oneself Mediums Crafts Serving Devoted Privileged Time Passes

Author:Ralph Gibson

“One night I was on my [Navy] ship... on my first cruise crossing the North Atlantic in a horrible storm, chained to the rails so I wouldn't fall overboard. In this lightning and thunder and hail, in this misery, I shouted at the heavens with my little squeaky voice and said, Someday I'm going to be a photographer! It was as big an epiphany as any man ever had.”

Men Firsts Littles Said Bigs Night Fall Heaven Voice Misery Photographer Storm Horrible Ships Someday Lightning Thunder Navy One Night Crossings Epiphany Rail Cruise Hail Chained Overboard

Author:Ralph Gibson

“I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.”

World Kind Different Might Possibility Cycles Different Worlds Circular Motion

Author:Frank Gohlke

“When a photographer chooses a subject, he or she is making a claim on the interest and attention of future viewers, a prediction about what will be thought to have been important.”

Has Beens Important Interest Attention Subjects Claims Photographer Predictions Viewers

Author:Frank Gohlke

“Photography, too, reduces the world to strips and rectangles; photographers scrutinize the surfaces of reality in hope of unlocking the potential for significance that is latent within them.”

World Reality Photography Photographer Surface Significance Latent Unlocking Scrutinize Rectangles

Book:Thoughts on Landscape: Collected Writings and Interviews

Source: Thoughts on Landscape: Collected Writings and Interviews

“Whatever the aspect, I've tried to provide clear witness to what I've found, to resonate well enough with the harmonics of the place that the tuning can be felt in the pictures.”

Wells Enough Found Felt Clear Aspect Witness Tuning

Author:Frank Gohlke

“The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.”