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Quote by Jason Pierce

“I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.”

Quote by Jason Pierce

Author

Jason Pierce
Jason Pierce

Jason Pierce, born in November 1965, is a renowned musician. His musical career began in the 1990s, and he is known for his unique musical style and profound emotional expression. His music blends various elements, including folk, rock, and electronic music, creating a distinctive sound. Jason Pierce's musical career began in the 1990s with the formation of the band Mogwai. His career has been marked by changes and challenges, but he has always maintained a passion for music. His musical works have received widespread recognition and awards, and his music has had a profound impact on contemporary music, inspiring many musicians. more

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“Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.”

“It's a pretty humiliating thing when you get picked last every day in gym class and then at lunchtime all the kids play sports and you get picked last. At the time I just thought, "This is awful," because it defines you as a weak person. It defines you with girls and if you're bad at sports, you get into this funny cycle where the ball never gets to you because now you're in the worst position, you're in deep right field, so you can never prove that you got better, so the cycle lasts forever.”

“Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.”

“The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.”

“A few years ago I had a weird relationship with performing live. I didn't enjoy it as much because the nerves took over. My first ever gig was with Disclosure at Bestival. There were so many people, thousands and thousands of people. It's been an amazing start to my live shows, to experience that type. My only aim when I perform with those guys is to make sure the crowd has the best time. You hype them up. The energy is crazy. It's completely different, but I need both of them because I love dance music, but I also love soul music and slower, acoustic stuff.”

“My mum and dad used to make me stand up at dinner parties and sing to their friends. I had this conservatory in my house - three steps went to up to kind of a raised part of our kitchen. I used it as the stage. Every night after school I used to download backing tracks of songs I loved and perform to myself. My mum was trying to cook and I was pretending I was at the O2 arena.”