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Reality Is Just A Possible Fantasy

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Maria Karvouni

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“Why must women be continually surprised that their male partners disappoint them? That we feel a distinct lack of support, or that the support we receive is both patronizing and conditional: I will applaud your job, your vision, your goals, if you continue to uphold your domestic duties. Cook the dinners, change the diapers, clean the house, and then you can have your “fun.” Why do women, natural sharers, natural empathizers, yoke themselves to men, who are by their own nature nonreflective, nonverbal, noncommunicative? Why do women, natural nurturers, find themselves hollowed out as years of marriage pass, having drained themselves of emotions that continually are fed to partners who have no interest in reciprocating? Partners who tend to say the same damning words, meant as praise: She knows how to handle me. As if a woman’s primary duty was to use all her brains and empathy to manage a man, as if she were some plumber of the psyche. Or how about this one, which men often say when praising a relationship: It’s just easy. Would a man say this about his job? Certainly not. But the key relationship in his life? He shouldn’t have to work at it. That’s because the woman is spending all her time trying to figure him out, trying to handle him. And she wonders why she is so confused about her own emotions: She has no time to ponder them. This sad situation is not the fault of men any more than it is the fault of women. The two are simply incompatible beings.”

Reality
Book:Gone Girl
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“The circumstances of life are only the bases or instruments of life: the fruition of life is not in retrospect, not in description of the instruments, but in expression of the spirit itself, to which those instruments may prove useful; as music is not a criticism of violins, but a playing upon them. This expression need not resemble its ground. Experience is diversified by colours that are not produced by colours, sounds that are not conditioned by sounds, names that are not symbols for other names, fixed ideal objects that stand for ever-changing material processes. The mind is fundamentally lyrical, inventive, redundant. Its visions are its own offspring, hatched in the warmth of some favourable cosmic gale. The ambient weather may vary, and these visions be scattered; but the ideal world they pictured may some day be revealed again to some other poet similarly inspired; the possibility of restoring it, or something like it, is perpetual. It is precisely because Shelley's sense for things is so fluid, so illusive, that it opens to us emotionally what is a serious scientific probability; namely, that human life is not all life, nor the landscape of earth the only admired landscape in the universe; that the ancients who believed in gods and spirits were nearer the virtual truth (however anthropomorphically they may have expressed themselves) than any philosophy or religion that makes human affairs the centre and aim of the world. Such moral imagination is to be gained by sinking into oneself, rather than by observing remote happenings, because it is at its heart, not at its fingertips, that the human soul touches matter, and is akin to whatever other centres of life may people the infinite.”

MindArtRealityPoetryImaginationThought
Book:Winds Of Doctrine: Studies in Contemporary Opinion: Exploring Modern Thought and Ideologies
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