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Quote by Maryann Gestwicki

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Devil's Tongue: Book 2

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Maryann Gestwicki

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“Julie Plec: Those episodes are always so fun to do because you know you're building the entire episode around an event. To be able to lean hard into a big, beautiful romantic wedding knowing that at the end of the next episode, half of those people would be dead, was great. We love that; we love taking happiness and then destroying it very quickly.”

HappinessRomanceRomanticWeddingThe Vampire DiariesTvd
Book:I Was Feeling Epic: An Oral History of The Vampire Diaries
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“Consider: Anyone can turn his hand to anything. This sounds very simple, but its psychological effects are incalculable. The fact that everyone between seventeen and thirty-five or so is liable to be (as Nim put it) "tied down to childbearing," implies that no one is quite so thoughly "tied down" here as women, elsewhere, are likely to be -- psuchologically or physically. Burden and privilege are shared out pretty equally; everybody has the same risk to run or choice to make. Therefore nobody here is quite so free as a free male anywhere else.”

SexSocial JusticeSexismGender Roles
Book:The Left Hand of Darkness
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“Consider: Anyone can turn his hand to anything. This sounds very simple, but its psychological effects are incalculable. The fact that everyone between seventeen and thirty-five or so is liable to be (as Nim put it) "tied down to childbearing," implies that no one is quite so thoughly "tied down" here as women, elsewhere, are likely to be -- psychologically or physically. Burden and privilege are shared out pretty equally; everybody has the same risk to run or choice to make. Therefore nobody here is quite so free as a free male anywhere else.”

SexSexismGender EqualityGender RolesSocial CommentarySocial Norms
Book:The Left Hand of Darkness
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“The archetype of all fiction is the sexual act. In saying this I do not mean merely to remind the reader of the connection between all art and the erotic in human nature. Nor do I intend simply to suggest an analogy between fiction and sex. For what connects fiction-and music-with sex is the fundamental orgastic rhythm of tumescence and detumescence, of tension and resolution, of intensification to the point of climax and consummation. In the sophisticated forms of fiction, as in the sophisticated practice of sex, much of the art consists of delaying climax within the framework of desire in order to prolong the pleasurable act itself. When we look at fiction with respect to its form alone, we see a pattern of events designed to move toward climax and resolution, balanced by a counter-pattern of events designed to delay this very climax and resolution.”

Sex
Author:Robert Scholes
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