“The more ignorant men are, the more convinced are they that their little parish and their little chapel is an apex to which civilization and philosophy has painfully struggled up the pyramid of time from a desert of savagery.”
Quote by George Bernard Shaw
Work
This volume gathers the diverse literary output of George Bernard Shaw, the Irish playwright, critic, and polemicist who became a dominant figure in English letters during the late nineteenth and early twentieth centuries. The collection encompasses his celebrated plays, which established him as a leading dramatist of the modern era through their combination of social critique, wit, and innovative dramatic technique. Among the theatrical works included are Pygmalion, his comedy of class and language that achieved enduring popularity through its stage and screen adaptations; Mrs. Warren's Profession, which confronted prostitution and economic exploitation with characteristic directness; Candida, a domestic drama examining marriage and idealism; Arms and the Man, a satirical treatment of military heroism and romantic illusion; Man and Superman, an expansive work incorporating philosophical dialogue and the Don Juan myth; Caesar and Cleopatra, a historical play offering an unconventional portrait of its protagonists; and Androcles and the Lion, which explores religious themes through the lens of early Christianity. Beyond drama, the collection presents Shaw's nonfiction contributions, including his articles written for The New York Times addressing matters of war and international affairs, and his personal recollections of Oscar Wilde, offering insight into his relationship with another major figure of the period. The volume also contains selected novels, additional essays, and letters that illuminate Shaw's development as a writer and his engagement with the political, aesthetic, and social questions of his time. Taken together, these works demonstrate Shaw's commitment to what he termed the discussion play, his advocacy for causes ranging from vegetarianism to socialism, and his sustained effort to make the theater a vehicle for intellectual engagement rather than mere entertainment. more
Author
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