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Quote by Lynda Barry

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Making Comics

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Author

Lynda Barry
Lynda Barry

Lynda Barry, born on January 2, 1956, is a renowned cartoonist. Her works are known for their unique style and profound themes, covering personal experiences, social phenomena, and philosophical thoughts. Barry's contributions have had a significant impact on the comic industry, and her creative approach and narrative techniques have provided new perspectives for subsequent cartoonists. more

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“Beauty, it seemed to Amineh, did not have to be extraordinary to be cherished. Maybe that was its secret, that it lived in the most common expressions of man and nature. The artisan had discovered it in a block of wood, which he had carved into a scene of a young woman sitting at a window. The locals had created it through the colorful geraniums they placed on small protrusions covering every square meter of their adobe walls. Even the animals were not immune. Who could doubt the starlings’ ecstatic flight around the minarets of the mosque was inspired by the symmetry of that aging structure.”

“I really don't like art with a message, unless the message is crystal clear. If you have a message that really needs to be said, just fuckin' say it! Don't hide it in indecipherable lyrics... a sculpture, it's a play, the subtext... just fuckin' say it, 'cause the people who need to hear messages are dumb as shit--the masses of humanity are dumb as shit, and you're really just pandering to your friends. Say what the fuck you mean, just say it! Title the song 'eat more leafy greens'. 'Give a hoot, don't pollute' is as much message and art combined, 'cause I get that, it's a poem but I'm pretty sure you're saying 'don't pollute'. But if you have something... 'ooh, I have the cure for cancer...and I've hidden it in this Rubix cube!!' -- just fuckin' say it! - Before Turning the Gun on Himself [2012]”

“Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous gaze. This decadent detective is at one with the criminal he pursues, acknowledging openly that the representation of corruption is one of the most pleasurable forms that corruption can take. In this enterprise, art is the mask that both exposes and conceals culpability.”

“So be wise. And if you cannot be wise, pretend to be someone who is wise and then just behave like they would. Now go, and make interesting mistakes. Make Interesting. Mistakes. Make glorious and fantastic mistakes. Break rules. Leave the world more interesting for you being here. Make good art.”