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Antonin Artaud, Selected Writings

Antonin Artaud, Selected Writings is a comprehensive compilation of the works of the renowned French dramatist and theorist. It brings together his most important essays, lectures, and manifestos, providing a deep insight into his revolutionary ideas on theater, the actor, and the audience. The book covers a range of topics, from the origins of theater to the exploration of the subconscious, and offers a profound analysis of the human condition through the lens of performance art. more

Author

Antonin Artaud
Antonin Artaud

Antonin Artaud was a French playwright, poet, and theatre theorist, considered one of the most important theatre thinkers of the 20th century. His works have had a profound impact on subsequent theatrical movements, particularly his theory of 'Theatre of Cruelty'. Born on September 4, 1896, he passed away on March 4, 1948. more

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“These terrifying forms which advance on me, I feel that the despair they bring is alive. It slips into this nucleus of life beyond which the paths of eternity extend. It is truly an eternal separation. They slip their knives into this center where I feel myself a man, they sever those vital ties which bind me to the dream of my lucid reality.”

MenFeelsDreamRealityFormPathAliveDespairEternalEternitySeparationTiesKnivesSlipsNucleus
Book:Antonin Artaud, Selected Writings
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“The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.”

KindHas BeensOrderPayMoralElementsUnderstoodPaidPassionateExtremesTheatreViolentCrueltyPurityConceptionNot AfraidBloodySevereRigourScenicCondensationMoral Purity
Book:The Theater and Its Double
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“[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.”

WritingArtAuthorityDefinitionsFamiliarCrueltyThrillBrutalityPersuasiveDeclaringCitingMotifsArtaud
Author:Antonin Artaud
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