Quotessence
Home / Quotes / Quote by Travis Stewart

Quote by Travis Stewart

“I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.”

Quote by Travis Stewart

Author

Travis Stewart

Travis Stewart, born on March 4, 1982, is an accomplished music producer from the United States. His unique style and production skills have won him acclaim in the industry. more

You May Also Like

“Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.”

“It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.”

“In volume and velocity, the new media are making available testimony on a previously unimaginable scale. I'm neither as romantic about the new media landscape, nor cynical. But what's indisputable is the experimental energy that digital forms are unleashing. Among my students and among up-and-coming artists, I find myself startled by the creative responses to the technological, environmental, and political upheavals of our time.”

“I am talking about ordinary people making the link between their communities being treated as disposable and the assumption that the environments they depend on are disposable as well. What gives me hope is the kind of bridgework I'm seeing between social movements on the one hand, and young writers and artists on the other, all intent on opposing such pitiless, short-term thinking.”

“I think it's often easier to theorize in the official codes of theory rather than to theorize lightly through scene, object, story, and incident in ways that keeps alive the sensual serendipities of language. This is not a question of being for or against theory, but rather of being suspicious of orthodoxies that concede, in advance, that what passes for theory must be signaled by a narrowing of diction, sentence rhythms, and sensual awareness. I'm in favor of surprise.”

“I don't think the entertainment business in general will ever just be okay with how people are. I think we're in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she's aged beautifully, so I hope that I could be a smidgen of how she's aged. There's nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there's always going to be people out there are going to say something, and there's nothing you can do about it.”