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Quote by Steven Sebring

“I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.”

Quote by Steven Sebring

Author

Steven Sebring is a renowned photographer known for his unique perspective and profound thematic works. His photographic career is characterized by exploration and experimentation, with his works spanning multiple genres including portrait, landscape, and documentary photography. Although his exact birth and death dates are unknown, his works have had a profound impact on the field of photography. more

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“The only self-consciousness in the film [Dream of Life] is anyone's natural shyness.”

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“We had a hodgepodge of footage. We didn't film [in Dream of Life ]all the time - we would just film periodically, so nothing was synced and nothing was slated.”

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“The film [Dream of Life] came together when we started editing; it was organic, it became nonlinear and it was its own animal. And I didn't want to tame it, either. I wanted it to be different. It's not your typical documentary.”

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“That was an amazing experience [making Dream of Life]. It's hard to imagine that we were editing every day for a year. And it was pretty extraordinary; it also went by super fast. But every day was an experiment.”

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“Angelo Corrao was our editor [in Dream of Life], and he was just so diligent and so old-school in the way he looked at editing. He would take my far-out ideas and tame them and make sense of them.”

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“A lot of times I had footage that didn't have sound [in the Dream of Life film] - either I didn't bring a sound recorder, or I forgot to turn on the sound recorder - so we would have to improvise and build those scenes.”

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“I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment for a voiceover, or a poem," and then we'd bring in some sound design.”

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“I see a lot of patterns in our behavior as a nation that parallel a lot of other historical processes.”

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“[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].”

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“There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.”

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