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Quote by Klay Hall

“Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.”

Quote by Klay Hall

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Limited information is available about Klay Hall, whose profession and category are unknown. Details about his life experience, achievements, and impact are not available. more

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“I'm involved with every single thing that they do as far as just being aware, and then they ask my opinion. I'm involved in the sequence reviews and some of the animation reviews and character designs and things like that. I give my input on that movie as well.”

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Author:Klay Hall

“There is a whole separate filmmaking team that's doing it, but that's part of what's great about the Brain Trust and about the inspiring leadership of John Lasseter. He leaves it up to that creative group of individuals to help each other elevate each thing that they're working on to only try to make it better and to share what you've learned on the first one.”

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“Back in the day, it would be more competitive and hide. You do your thing. I'll do mine. It's not like that at all. Everyone is there to help everyone, and that gives you a great sense of not only just support, but respect and everything else that goes with it.”

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Author:Klay Hall

“By the time you arrive at Sundance as a filmmaker, you've been living with your film intimiately, and scrutinized every frame, and probably aren't happy with - or at least I'm never happy with it - and you've seen it in the roughest of states, and you lose perspective, really.”

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“But you certainly don't have perspective. And there's so much pressure going into that opening night because you know there's journalists, tons of acquisitions people, and the fate of your film in some ways, if not decided, is really affected by how it screens that night.”

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Author:James Ponsoldt

“And that first screening was overwhelming. You were there. People applauded when the title card comes in; there's a big "gasp moment" partway through the film. It couldn't have gone better, and it was very surreal.”

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Author:James Ponsoldt

“And I was constantly trying to stay in body, so to speak. It feels very surreal, and I go away to a happy place where I'm there but not really there. I was just trying to enjoy the night, I guess is what I'm saying. We had a lovely after-party.”

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Author:James Ponsoldt

“After that really, I spent the majority of the spring going to tons and tons of regional festivals throughout America. Every corner of the country, I took the movie to twenty film festivals or something to that extent. I've lost track. Probably done Q&As 40-50 times at this point. It's always hard to watch something I've made, but I've got a little more objectivity and kind of see the film as not just an extension of myself.”

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Author:James Ponsoldt

“I've heard a lot of variation of similar questions, but it's interesting to see the variations of audiences and how different people respond, so I think it's all valid. I don't take it personally at this point, which I probably would have at Sundance. But it's really thrilling.”

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“You just work really hard and scrutinize. What is it called in politics? "Opposition research"? You want to do the detective work on your client so to speak before your opponent can dig it up. We're vetting everything thoroughly.”

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Author:James Ponsoldt