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Quote by John Hirsch

“This is an extremely foolish and stupid and idiotic kind of attitude - to expect theatres to make money. Do the public schools make money? Do libraries make money? Does the zoo make money? D o the sewers make money? It's a community service.”

Quote by John Hirsch

Author

John Hirsch was an outstanding theater director known for his innovative approach and profound understanding of dramatic art. Born on May 1, 1930, and passing away on August 1, 1989, Hirsch's career was marked by significant contributions to the theater world. His work has had a profound impact on the stage, earning him numerous awards and accolades and solidifying his status as one of the most important directors of the 20th century. more

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“One mustn't allow acting to be like stoc kbroker - you must not take it just as a means of earning a living, to go down every day to do a job of work. The big thing is to combine punctuality, efficiency, good nature, obedience, intelligence, and concentration with an unawareness of what is going to happen next, thus keeping yourself available for excitement.”

“The purpose of theatre is... making an event in which a group of fragments are sudde nly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life ... The marvel of being one.”

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“Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.”

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“Acting is experience with something sweet behind it.”

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Author:Humphrey Bogart

“Acting, in general, is something most people think they're incapable of, but they do it from morning to night. The subtlest acting I've ever seen is by ordinary people trying to show they feel something they don't, or trying to hide something. It's something everyone learns at an early age.”

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“Nobody "becomes" a character. You can't act unless you are who you are.”

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“Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.”

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Book:The Shifting Point: Forty Years of Theatrical Exploration, 1946-87

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